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View Larger Image and Additional Photos of Lampo LeongAbout Lampo Leong : Lampo Leong, PhD, is currently a Distinguished Professor, Doctoral Advisor, and Director of Centre for Arts and Design at the University of Macau and Professor Emeritus at the University of Missouri-Columbia. Leong’s work has been featured in art auctions such as Christie’s, Ravenel, etc., and in art expos, museums, and galleries worldwide through more than 70 solo and over 415 national and international juried and curated group exhibitions, receiving over 100 awards such as a Gold Medal at the Creative Quarterly international art competition in New York. Leong's work can be found in over 10 museum collections and hundreds of notable corporate and private collections. Leong’s achievements have been documented in over 1000 reviews and publications, including the front cover of the New Art International in New York, the Creative Genius: 100 Contemporary Artists in London, and Art Frontier in the USA.
My current multimedia performing art employs a visual language that incorporates the intrinsic movement and vitality of ink washes and the rhythmic movement of wild cursive Chinese calligraphy with the dynamic color of abstract expressionism painting. With arrays of ink splashes constantly forming and dissolving as well as calligraphic marks dancing and intertwining, a mysterious cosmic space is created and the atmosphere shifts between meditative, ethereal, energetic, and vibrant with lights emanating from within. These familiar yet abstract images make us aware of the miraculous vitality in nature and the enigmatic process of creation in the universe. Reflecting a reverence for both the spirit of Daoism and the Sublime, as well as an ever-renewed wonder at a universe revealed to us through modern science, my work celebrates the dynamic energies that give birth to new life, new planets, and new stars. This unique experience is attained and heightened by the engagement of sound, video animation projection, and human interaction. Through the manipulation of light in these site-specific installations or on stage, visitors or performers are seen intermingling with the evolving imagery around them while interacting with the aural and visual textures in the space, generating an engaging visual impact and an experience that would be difficult to achieve by any single medium alone. The end result is transcendental and timeless, a synthesis that is greater than the sum of its parts. These interdisciplinary efforts and multimedia art form arise from my continuous investigations on wild cursive Chinese calligraphy as a culturally coded icon for communication, as well as my commitment to develop innovative approaches to capture and enhance effectively our unique experiences in this increasingly globalized, multimedia-oriented, and progressively complex postmodern digital world.
ORGANIZATION:
University of Macau
EDUCATION:
PhD, Central Academy of Fine Arts, Beijing, China
MFA, California College of the Arts, San Francisco, USA
Graduate Studies, Chinese Art History, University of California at Berkeley, CA, USA
BFA, Guangzhou Academy of Fine Arts, Guangzhou, China
EXPERIENCE:
Distinguished Professor of Art, Doctoral Advisor, Faculty of Social Sciences, University of Macau, Macao
Director, Centre for Arts and Design, FSS, University of Macau, Macao
Founding Head, Department of Arts and Design, FAH, University of Macau, Macao, 2021-2023
Professor Emeritus, University of Missouri-Columbia, USA
Associate Editor, Convergences—Journal of Research and Arts Education, Branco, Portugal (A double-blind peer review arts and design journal in English with DOI, E-ISSN & ISSN)
Member, Macao Talent Development Committee, Macao SAR Government, Macao
Advisory Committee Expert, Guangzhou National Young Artists Training Program, National Painting Academy, Guangzhou Painting Academy, China
Associate Director, Guangdong Province Higher Education Institutes Fine Arts Advisory Committee, Guangdong Ministry of Education, Guangzhou, China
Committee Member, Ministry of Education of China, Higher Education Institutes Animation and Digital Media Advisory Committee Guangdong Province Expert Subcommittee, China
Associate Director, The Fine Arts and Design Education Development Alliance of the Guangdong-Hong Kong-Macao Greater Bay Area, Guangdong Ministry of Education, China
PRIVATE EXHIBITIONS:
2022, Lampo Leong: Inktaverse, Albergue SCM Art Gallery, Macao (Color catalog)
2020, Lampo Leong: The Dao of Ink, Exhibit Hall of Centro UNESCO de Macau, Macao (Macao Foundation; Catalog)
2019, Lampo Leong: Notes on Ink, Ye Fine Art, Shanghai, China (Curated by Robbie Kuo)
2017, Lampo Leong: Contemporary Ink and Multimedia Art, Houghton College, New York, USA
2017, Inkscape: Ink Painting by Lampo Leong, Tanghu Museum of Art, Wuhan, China (Multimedia)
2016, Lampo Leong: Inkscape, Central Academy of Fine Arts Art Museum, Beijing, China (Multimedia)
2016, Lampo Leong: Inkscape, Imago Gallery and Cultural Center, Columbia, MO, USA
2014, Lampo Leong: Accumulation • Expansion, Art & Julia's Gallery, Taipei, Taiwan (Catalog)
2013, Calligraphic Inspiration: The Art of Lampo Leong, Villanova University, Villanova, PA, USA
2012, Lampo Leong: A Retrospective, Truman State University, Kirksville, MO, USA (Multimedia; Catalog)
2011, Lampo Leong: Painting and Drawing, Culver-Stockton College, Canton, MO, USA
2010, Lampo Leong: Spirit of the Universe, Nelson Gallery, University of California, Davis, CA, USA
2009, Lampo Leong: Dynamic Movement, Bingham Gallery, University of Missouri-Columbia, MO
2008, Lampo Leong: Dancing Marks, Sun Gallery, Minneapolis, MN, USA (Also in 2006)
2007, Lampo Leong: Forces, Institute of East Asian Studies, University of California at Berkeley, USA
2007, Lampo Leong: Spirit of the Sublime, San Antonio College, San Antonio, TX, USA
2006, Sublimation: Calligraphy by Lampo Leong, Creative Macau, Macau Cultural Center, Macao (Catalog)
2005, Lampo Leong: Current Work, Chapman Friedman Gallery, Louisville, KY, USA
2005, Lampo Leong: Spatial Awakening, Armstrong Atlantic State University, Savannah, GA, USA
2004, Lampo Leong: Spatial Luminance, Lycoming College, Williamsport, PA, USA
2004, Lampo Leong: Painting, Sam Houston State University, Huntsville, TX, USA
2003, Lampo Leong: Bridging the Old and the New, Suburban Fine Arts Center, Highland Park, IL
2003, Suspended Marks, St. Louis University Museum of Art, St. Louis, MO, USA
2003, Lampo Leong’s Recent Paintings, Eastern Kentucky University, Richmond, KY, USA
2002, Lampo Leong: Abstract Forces & Inspiration, Western Illinois University, Macomb, IL, USA
2000, Lampo Leong: Contemplation • Forces, DP Fong Galleries, San Jose, CA, USA (Also in 1997)
1998, Lampo Leong: Contemplation • Forces, Instituto Cultural de Macau, Macao (Color catalog)
1997, Lampo Leong: Contemplation • Forces, Galerie du Monde, Hong Kong
1995, Lampo Leong: Paintings, Michael Thompson Gallery, San Francisco, CA, USA
1988, Lampo Leong: Nostalgic Dreams, Guangzhou Fine Arts Museum, China
1986, Lampo Leong, Museu Luis De Camoes, Macao (Color catalog)
1986, The Art of Lampo Leong, Rosicrucian Egyptian Museum, San Jose, CA, USA
MIXED EXHIBITIONS:
2022, 100 Best Annual and Exhibition, Creative Quarterly: The Journal of Art and Design, New York, NY, USA (Juried by Carol Pelletier)
2022, International Art Competition Winner, Creative Quarterly: The Journal of Art and Design, Issue 66 (May 2022), New York, NY, USA
2022, Wild Imagination: Contemporary Ink Art in Guangdong-Hong Kong-Macao from 2000-2020, Macao Museum of Art, Guangzhou, China (Curated by Professor Daojian Pi. Catalog.)
2022, China Contemporary Design and Public Art Exhibition, Guan Shanyue Museum of Art, Shenzhen, China (Nationally juried exhibition; Color Catalog.)
2021, Ink Global 2021, Hong Kong Central Library Exhibition Gallery (Color catalog).
2021, The 6th Worldwide Internet Exhibition, Sumi-e Society of America, USA (Ming Chiao Chapter Award-Innovative Painting, Juror: Sungsook Setton, Faculty, China Institute, NY, NY, USA)
2021, FIRST CITYA 2021: City as a Medium, 1a Space, Hong Kong (International curated online exhibition)
2021, Macao International Art Biennale • Creative City Pavilion Exhibition • Macao – City of Gastronomy: Bon Appetit!, Macao Contemporary Art Center- Navy Yard No.1, Macao
2021, New Era China Ocean Art Exhibition, Shenzhen Ocean Arts and Sciences Museum, China
2021, Monochrome, Blank Wall Gallery, Athens, Greece (International juried exhibition. Catalog)
2020, Dispersion and Convergence: The Third Global Overseas Chinese Artists Exhibition, He Xiangning Art Museum, Shenzheng, China (Curated by Xiaosong Wang. Color Catalog.)
2020, Shanghai, Hong Kong, Macao & Taiwan Painting Exhibit, Liu Haisu Art Museum, Shanghai
2020, The 3rd Exhibition of Contemporary International Ink Design, Beijing International Design Week, Beijing Design Society & Capital Normal University (Bronze Award. 1.8% award rate)
2020, Contemporary Art Asia, Christie’s, New York, NY, USA (Leong’s painting is featured among the works of Kusama, Nara, Murakami, Zhao Wuji, Zeng Fanzhi, Ai Weiwei, etc.)
2020, 2020 China Creative Design Competition (First Prize, Creative Design in Self-Defined Theme in Professional Category. 1.6% award rate), China Packaging Federation, Hangzhou, China
2020, The 3rd Chania International Photo Festival, Grand Arsenali, Center of the Mediterranean Architecture (CAM), Old Harbor of Chania, Crete, Greece (International juried exhibition)
2020, Five Continents International Film Festival #41, Puerto la Cruz, Anzoategui, Venezuela (Blossom is the official short film selection. International juried film festival.)
2020, 2020 Around Films International Film Festival-Paris Official Selection (ARFF), Paris, France (Best Trailer Award. International juried film festival.)
2020, A‘Design Award & Competition, Mood Museum of Design, Italy (Bronze A’Design Award in Photography; Color Catalog.)
2020, Fine Chinese Modern and Contemporary Ink Paintings, Christie’s Spring Exhibition, James Christie Room, Alexandrea House, and Connaught Place, Central, Hong Kong (Color catalog).
2020, Harmony and Evolution: An Exhibition of Chinese American Art Faculty Association, Ruth Davis Design Gallery, University of Wisconsin-Madison, USA (Curated by Wei Dong and Sarah Carter. Color Catalog.)
2019, Salon des Beaux Arts 2019, Carrousel de Louvre, Paris, France
2019, Chinese Contemporary Ink, Christie’s Autumn Auction, Hong Kong (Also in Autumn and Spring exhibitions and auctions in 2019, 2018, 2017 and 2016. Color Catalogues.)
2019, AS-Helix: The Integration of Art and Science in the Age of Artificial Intelligence, The 5th Art and Science International Exhibition, National Museum of China, Beijing, China
2019, Artworks of Macau Artists 2019, National Art Museum of China, Beijing, China
2019, Opening Concert of Musicacoustica Beijing 2019, Central Conservatory of Music, Beijing, China (A synthesis of video animation and music. Also in 2015 and 2014)
2019, Asia Now: Paris Asian Art Fair, Salon Hoche, Paris, France
2019, 2019 Beijing Design Week: International Ink Painting and Pattern Design Exhibition, Organized by Beijing Design Society & Capital Normal University College of Fine Arts, China
2019, The Thirteenth National Fine Arts Exhibition: Hong Kong, Macao, Taiwan and Overseas Art Exhibition, University City Art Museum of the Guangzhou Academy of Fine Arts, Guangzhou, China (The most important fine arts exhibit organized by the Chinese Government)
2019, Art Asia 2019, Chinese Special Exhibition, COEX, Seoul, South Korea
2019, Art Central, Central Harbour Front, Hong Kong (An international contemporary art expo)
2019, A‘Design Award & Competition, Mood Museum of Design, Italy
2019, The Third Shenzhen International Photography Exhibition, Look at the World from Another Angle—Aerial Photography, Shenzhen Convention and Exhibition Center, Shenzhen, China
2019, A L'Extérieur de La Tour D'ivoire 2019: Exposition de L’Experience du design Et De L’Ecole De La Grande Baie Guangdong-Hong Kong-Macao, City Hall, Paris, France
2019, Art Central, Central Harbour Front, Hong Kong (An international contemporary art expo)
2018, Artexpo New York, New York, USA
2018, 2018 Zhejiang City Biennial Art Exhibition • Poster Invitation Exhibition, Organized by Zhejiang Artists Association and Jiaxing Literature and Arts Alliance, Jiaxing, Zhejiang
2018, Art Taipei 2018, Taipei World Trade Center, Taiwan (International art expo. Also in 2015 & 2012)
2018, Lightscape: A Synthesis of Video Animation and Dance, University Hall, University of Macau, Macao (Artistic Director, Organizer & Video Animation Director; Collaborated with Gao Yanjinzhi, Beijing Modern Dance Company, and other dancers from Guangzhou and Macao)
2018, The First Guangdong-Hong Kong-Macao Greater Bay Area University Art Exhibition, Hosted by Guangdong Provincial Education Department and Guangdong Artists Association, University City Art Museum of Guangzhou Academy of Fine Arts, China
2018, Asia Contemporary Art Show, Hong Kong (Also Fall & Spring 2017, 2016, 2015 & 2014)
2018, Paper in Particular National Exhibition, Columbia College (Also in 2017, 2015, 2010 & 2004)
2017, Taipei International Ink Painting Exhibition, National Dr. Sun Yat-Sen Memorial Hall, Taiwan (Artists selected from China, Japan, Korea, Europe, USA, etc.; Color catalog)
2017, Guangzhou Academy of Fine Arts North America Alumni Exhibit, GAFA Art Museum, China
2017, 37th Annual Spring Photography Contest (48-country international contest), Photographer’s Forum magazine, Santa Barbara, CA (Finalists and award winners published in hardcover color book entitled Best of Photography 2017)
2017, Ink Global 2017, Hong Kong Convention/Exhibit Centre (Art from 15 Countries; Color catalog)
2017, The Art of Asian Languages, Oklahoma State University Museum of Art and Stanford University East Asia Library, CA, USA (Juror: Jeff Kelley, California Art Critic; Color catalog)
2017, Singapore Contemporary Art Show, Suntec Convention/Exhibit Centre, Singapore (Also 2016)
2016, Modern and Contemporary Asian Art: Ravenel Autumn Auction 2016 Taipei, Taiwan (Including the works of Nam June Paik, Kusama, Warhal, etc.)
2016, Perception and Vision: Chinese-American Art Faculty Exhibition & Symposium, Homnicen International Art Center, Guiyang, Guizhou, China (Silver Medal Award; Color Catalog)
2016, XXXII Exposicao Coltctiva dos Artistas de Macau, Leal Senado de Macau, Macao (First Prize. Also received First Prize in 1998. Color Catalogs.)
2016, Modern and Contemporary Art: Ravenel Spring Auction 2016 Hong Kong, Preview in Taipei (Including the works of Antoni Tapies, Marc Chagall, etc.)
2016, Literati: Quiet Affection, Ravenel Spring Auction 2016 Hong Kong, Preview show in Taipei (Including the works of Andy Warhol, Pablo Picasso, etc.)
2016, Inkprovise: Modern and Contemporary Ink Art, Poly Auction, Hong Kong (China’s largest state-owned auction house with offices in Beijing, Tokyo, New York, Los Angeles & Paris.)
2015, Modern and Contemporary Art: Ravenel Autumn Auction 2015 Hong Kong, preview in Taipei (Including Anselm Kiefer, Sam Francis, Kusama, Vasarely, etc.)
2015, The 2nd World Overseas Chinese Photography Exhibition, Overseas Chinese History Museum, Beijing, China (262 works selected from artists in 26 countries, 1.9% acceptance rate. Color Catalog.)
2015, Music Xiamen’15: Multimedia Electronic Music Festival, Xiamen People’s Theatre, Fujian, China
2015, Opening Concert of Musicacoustica Beijing 2015, Central Conservatory of Music, Beijing, China (A multimedia dance/electronic music performance with video projection. Also in 2014.)
2015, 52nd Annual Juried Exhibit, Sumi-e Society of America (Founder’s Award. Also awarded in 2014.)
2015, Across the Divide: Thoughts and Dialogues on International Art Education and Intercultural Perspectives, An art education symposium & exhibit, Beijing Normal University Art Gallery, Beijing, China
2015, Macao International Film and Video Festival 2015, Macao Cultural Centre Theater, Macao
2015, Abstract Paintings from Macao Art Museum Collection, Museum de Arte de Macau, Macao
2015, Chanted Poetry: A Multimedia Performance, Zhuhai Arts College, Guangdong, China (Also 2013)
2015, West Says East Says: Chinese Contemporary Art Research Exhibition, United Art Museum, Wuhan, China (Curated by Hong Lu and Claus Mewes, featuring 87 artists from China, Taiwan, France, Germany, Italy, and the USA. Hardcover Color Catalog.)
2014, The 5th National University Art Competition, Art Education Research magazine, Anhui, and Guangxi Normal University College of Art, China (Second Prize in Faculty Category; 12 works awarded first & second prizes out of 20,000 entries; award rate approx. 0.06%. Color Catalog)
2014, The Second Exhibition of Overseas Chinese Paintings & Calligraphy, Yan Huang Art Museum, Beijing, China (292 works selected from 42 countries, 7.5% acceptance rate. Color Catalog.)
2014, Collision-Confluence: Chinese-American Art Faculty Exhibition, Asian Cultural Center, New York, New York (Curators: Lusheng Chen, Deputy Director, National Museum of China, and Laurel Reuters, Chief Curator, North Dakota Museum of Art. Color Catalog.)
2014, 34th Annual Photography Contest (Honorable Mention, 108 photos awarded out of over 10,000 entries from 65 countries; 1.08% award rate), Photographer’s Forum, Santa Barbara, CA (Winners published in hardcover color book: Best of Photography 2014.)
2014, Colorful World • Multiple Interpretations: The First Nanjing International Art Festival, Nanjing International Expo Centre, Jiangsu, China (4.89% acceptance rate. Color Catalog.)
2014, Fiddle Suite, Skaneateles Festival, New York (A multimedia performance with Shanghai Quartet)
2014, Across the Divide: Contemporary Art by Chinese American Artists, Oklahoma State University
2013, Autumn Auction: Modern & Contemporary Art, Tiancheng International Auction, Hong Kong
2013, Outstanding Alumni Works: Celebration of the 60th Anniversary of Guangzhou Academy of Fine Arts, University Mega Center Art Museum, Guangzhou Academy of Fine Arts, China
2013, Studio Concert Series, Lily Cai Dance Company, San Francisco, CA (A multimedia performance)
2013, Outstanding Faculty Works: Celebration of the 60th Anniversary of the Guangzhou Academy of Fine Arts, Museum of the Guangzhou Academy of Fine Arts, Guangzhou, China
2013, Re-Ink: Invitational Exhibition of Contemporary Ink Painting 2000-2012, Hubei Museum of Art, Wuhan and Today Art Museum, Beijing, China (Featuring 62 important Chinese artists worldwide, e.g., Fang Lijun, Yue Minjun, Zeng Fanzhi, Xu Bing & Gu Wenda. Color Catalog.)
2013, International Contemporary Digital Arts, Donggang Digital Society Exhibit Hall, South Korea
2012, Video Art for All International 2012, Fundação Oriente, Macao (12.5% acceptance rate)
2012, Outstanding Works: Thirtieth Anniversary of Guangzhou Painting Academy, University Mega Center Art Museum, Guangzhou Academy of Fine Arts, China (Hardcover color catalog)
2012, The American Landscape, Hilliard Gallery, Kansas City, MO, USA
2012, Multimedia Performance: Chinese Myths, Kauffman Center for the Performing Arts, Kansas City, MO (An interdisciplinary multimedia performance with video animation projection)
2012, International Ink Painting Exhibition & Symposium, Chung Shan National Gallery, National Dr. Sun Yat-Sen Memorial Hall, Taipei, Taiwan (86 artists selected worldwide. Color catalog.)
2012, Exposicao Annual de Artes Visuais de Macau, Instituto Cultural do Governo da R.A.E. de Macau, Old Courthouse Gallery, Macao (Top Ten Award. Also awarded 2011, 2009 & 2007.)
2012, Across the Divide II, Visual Arts Center, University of Texas at Austin, TX (Color Catalog)
2012, Macao Contemporary Drawings, Museu de Arte de Macau, Macao (Color Catalog)
2011, Harvest: Artistic Creations from the Advisers and Honorary Master Painters of Guangzhou Painting Academy, Masters’ Forum, Redtory Creativity & Arts Center, Guangzhou, China (Catalog)
2011, Art Faculty Exhibit Celebrating the 30th Anniversary of the College of Art Education at the Guangzhou Academy of Fine Arts, Art Museum of Guangzhou Academy of Fine Arts, China
2011, Mobility & Memory: Macao’s Proposed Artworks for the 54th International Art Exhibition of the Venice Biennale, Museu de Arte de Macau, Macao (Video installation. Color catalog.)
2011, The Art of Writing: Contemporary Art from Three Cultures, Kurhaus Wiesbaden, Wiesbaden, Germany (Featuring 84 artists from Japan, China, Taiwan, Korea, Arabia, Iran, Europe and USA, including Mark Tobey and Cy Twombly. Hardcover color catalog.)
2011, 48th Annual Juried Exhibit, Sumi-e Society of America (Best of Show. Also Best of Show in 2005.)
2011, East Meets West: An Exhibition of Paintings by Well-known Asian American Artists (Five artists selected including Amy Segami & Hongtu Zhang), University of Wisconsin, Eau Claire
2011, Digital Vision, Foster Gallery, Haas Fine Arts Center, University of Wisconsin, Eau Claire, WI
2010, Axiom of Gesture: A National Juried Exhibit, Eastern New Mexico University, Portales, NM
2010, Third Taipei International Modern Ink Painting Biennial, National Museum of History, Taipei, Taiwan (Traveled to eight other cities in Taiwan. Hardcover color catalog.)
2010, Hong Kong and Macao Visual Art Biennial, Beijing World Art Museum, The China Millennium Monument, Beijing, China (Organized by the Ministry of Culture, Beijing, China)
2010, Nineteenth International Miniature Art, Seaside Art Gallery, Nags Head, NC (Also in 2003)
2010, China International Gallery Exposition 2010, China World Trade Center, Beijing, China
2010, New Talent, Creative Quarterly: The Journal of Art and Design, No. 18, Vol. 5, No. 4 (April 2010): Inside cover, 13 & 65, New York, NY, USA (International competition, Gold Award)
2010, International Contemporary Masters III, Southern Nevada Museum of Fine Art, Las Vegas
2009, Scenes Transformation: Art Education and Practice in the Times of Synthesis Media, Star Gallery, South China Normal University, Guangzhou, China (Multimedia performance video)
2009, Sumi-e for Today: An International Juried Exhibition of Ink Paintings and Calligraphy, Gendai Gallery, Japanese Canadian Culture Centre, Toronto, Canada (Color catalog)
2009, The Eleventh National Fine Arts Exhibition, International Exhibition Center, Shantou, China (The most important fine art exhibit organized by the Chinese Government. Color catalog.)
2009, From Nature to Mind: A Joint Exhibition from New Intellectual Artists, Huantie Times Art Museum, Beijing, China (Color catalog)
2009, Mind of Being, 798 DAX Art Space, 798 Gallery District, Beijing, China (Curator: Chunchen Wang)
2009, 11th Annual Contemporary Art Juried Online International Art Exhibition, Upstream People Gallery,
Omaha, NE, USA (17% acceptance rate. Special Recognition Merit Award.)
2009, Confluence: Exposicao da Coleccao de Arte do Macao Art Museum, National Museum of Fine Arts, Beijing, China (A 126-page, 11.25”x11.25”, hardcover color catalog published.)
2008, Culture Conflict? No, Thanks! (4-artist show: Karoline Kroiss, Germany, Renate Minarz & Eva Riebler, Austria) Raab Galerie, Beijing, China (A 50-page, 11.25”x8.25”, color catalog published)
2008, The Second Taipei International Modern Ink Painting Biennial, Chung Shan National Gallery, National Dr. Sun Yat-Sen Memorial Hall, Taipei, Taiwan (Color catalog)
2008, Across the Divide III, Pei Ling Chan Gallery, Savannah College of Art and Design, GA, USA
2007, First Taipei International Modern Ink Painting Biennial, Kuandu Museum of Fine Arts, Taipei National University of the Arts, Taipei, Taiwan (A traveling exhibition. Color catalog.)
2007, International Modern Brush Painting, Chinese Culture Center of San Francisco, CA, USA
2006, Han Zi Reinvented: The Rhythm of Chinese Script, California State University, Fullerton, CA (7 artists invited, including Wenda Gu & Xu Bing. Curators: Yee & Susalla. Color catalog.)
2006, International Modern Ink Painting, Asian Fusion Gallery, New York, USA (Traveling show)
2005, International Modern Ink Painting, Changliu Art Museum, Taoyuan, Taiwan (Color catalog)
2005, Medial 1. Art Biennial, Art Addiction Medial Museum, London, UK (Honorable Award)
2004, Question, Cantor Center for the Visual Arts (formerly Stanford University Museum of Arts), Palo Alto, CA, USA (Exhibit works selected from the Museum’s permanent collection)
2004, American Eyes: Works from Art Professors at the University of Missouri-Columbia, Guangdong Museum of Art, Guangzhou, China
2004, Best of America! 2004, A National Juried Exhibition, Osage Beach, MO, USA (Color catalog)
2004, Greater Midwest International Exhibit XIX, Central Missouri State University, Warrensburg
2003, Girardot National Juried Exhibit, Arts Council of Southeast MO, Cape Girardeau (3rd Prize)
2003, The Ninth Great Plains National Art Exhibit, Fort Hays State University, KS (Juror’s Award)
2003, 4 To Go: Work by Hosterman, Jacobs, Leong & Paas, Maude Kerns Art Center, Eugene, OR
2003, 53rd Annual Art Competition, Fort Smith Art Center, Fort Smith, AR, USA (A national show)
2003, Color I International Juried Art Exhibition, Period Gallery, Omaha, NE, USA
2003, Jane T. Walsh Juried Show, Arts for Living Center, Burlington, IA, USA (A national show)
2003, Memphis/Germantown Art League 8th National Juried Exhibition, Memphis, TN, USA
2003, Englewood Arts National Juried Art Show, Museum of Outdoor Arts, Englewood, CO, USA
2003, Two by Two: Ceramic Sculpture Biennial, Eastern Washington University, Cheney, WA, USA
2003, On/Of Paper 2 Exhibition, Cloyde Snook Gallery, Adams State College, Alamosa, CO, USA
2003, Strings Calligraphy, Castle Theater, Maui Arts & Cultural Center, Kahului, HI (Performance)
2002, 22nd Mini Print International, Cadaques, Taller Galeria Fort, Barcelona, Spain; Wingfield Arts & Music Festival, England; Galerie L’Etang d’Art, Bages, France (A traveling exhibition)
2002, George E. Ohr National Art Challenge, Ohr-O’Keefe Museum of Art-A Smithsonian Affiliation, MS
2002, Contemporary IV International Juried Art Exhibit, Period Gallery, Omaha, NE, USA
2002, Tulane Review Art Contest, Tulane University, New Orleans, LA, USA (Art Contest Winner)
2002, Plain Arts IV International Juried Exhibit, Pittsburg State University, KS (13.4% acceptance rate)
2002, The 29th Annual National Juried Competition, Masur Museum of Art, Monroe, LA, USA
2002, Lyrical Brush: East Asian Calligraphy, State University of New York-Stony Brook, NY, USA
2002, Works on Paper, LSU Union Art Gallery, Louisiana State University, Baton Rouge, LA, USA
2002, 25th International Exhibition, Watercolor Art Society-Houston, 2 Allen Center, Houston, TX
2002, Marking Time, Fredericksburg Center for the Creative Arts, Fredericksburg, VA, USA
2002, Current Work 2002: A National Competition, Fayetteville State University, University of North Carolina, NC (10% acceptance rate) (Also selected for the 2003 exhibition)
2002, Nature at Her Finest, 1st Juried Wildlife Art Show, Bismarck Art Asso. ND (Honorable Mention)
2002, Missouri River-Untamed, National Juried Exhibit, Bismarck Art & Galleries Association, ND
2001, Chinese American Artists, American Institute in Taiwan. Art in Embassies program by U.S. Department of State, Washington D.C. (Curator: Joan Cohen, New York, NY. Color catalog.)
2000, From Chinese Ink to Abstraction, Chinese Culture Center, San Francisco, CA (Color catalog)
2000, Strings Calligraphy, Yerba Buena Center for the Arts, San Francisco, CA (An interdisciplinary multimedia performance collaborated with composer Gang Situ and choreographer Lily Cai)
1999, Shining Stars: 4 Cultural Visionaries of Contemporary Painting, Pacific Heritage Museum, San Francisco, CA, USA (Color catalog)
1999, Language Non Language, Ethan Cohen Fine Art, New York, NY, USA
1999, Forte Cup 20th Century Asian Pacific Art Competition, Asian Pacific Art Institute of America, Rockville, Maryland (Washington D.C. area) (Bronze Prize)
1997, Art of China, Shanghai Library Exhibition Hall, Shanghai, China (Organized by the Ministry of Culture of China; Curators: Fusheng Lu, Shaojun Lan & Daojian Pi. Color catalog.)
1995, Fine Asian Works of Art, Butterfield & Butterfield Auction, San Francisco, CA (Exhibition and Auction. Also in 4/1992, 12/1992, & 5/1995. Color catalogs.)
1993, Contemporary Chinese Figure Painting, Wan Fung Art Gallery, Hong Kong
1992, BrushstrokesStyles & Techniques of Chinese Painting, Asian Art Museum of San Francisco, CA and Santa Barbara Museum of Art, Santa Barbara, CA (Illustrations. Color catalog.)
1991, The Next Generation, Gallery 5, Santa Monica, CA, USA
1990, Earth's Alive, Gallery Imago, San Francisco, CA, USA
1989, The 7th National Fine Arts Exhibition, National Museum of Fine Arts, Beijing, China
1989, Zunyi International Brush Painting Competition, Guizhou, China (Second Prize Award)
1988, Modern Meticulous Style Painting Exhibition, National Museum of Fine Arts, Beijing, China
1987, Works on Landscapes and Gardens, Oriental Art Gallery, New York, NY, USA
EVENTS:
Lightscape: A Synthesis of Video Animation and Dance, University Hall, University of Macau, Macao (Artistic Director, Organizer & Video Animation Director; Collaborated with Gao Yanjinzhi, Beijing Modern Dance Company, and other dancers from Guangzhou and Macao), 2018
AWARDS:
Over 100 awards listed with over 415 national and international curated or juried group exhibitions.
PRESS APPEARANCES:
• Wang, Beilei. “Deconstruction • Synthesis: The Scape and Rhythm of Lampo Leong’s Contemporary Ink.” Arts & Culture Magazine, Macao, SAR of China (Issue 24, 8/2020): 97-110 (10 color plates; Photo by Heng-Chia Hsu; ISSN 2415-4628; CN480Z0001.)
• Vinagre, Andre. “Lampo Leong: uma ligação Oriente-Ocidente através da pintura, caligrafia, fotografia e multimédia.” (“Lampo Leong: An East-West connection through painting, calligraphy, photography and multimedia.”) Ponto Final, Macao, SAR of China (No. 4459; Friday, 26/6/2020): Pages 1, 12, 13, 14 (4 color plates. Portuguese. Photo by Tatiana Lages. Also online at
https://pontofinalmacau.wordpress.com/2020/06/26/t
emos-de-aprender-a-plantar-arte-em-macau-em-vez-de
-mostrarmos-obras-de-fora/ and
https://pontofinalmacau.wordpress.com/2020/06/26/l
ampo-leong-uma-ligacao-oriente-ocidente-atraves-da
-pintura-caligrafia-fotografia-e-multimedia/).
• Ho, Donna, and Xiwan Zhang. “Out of Nothingness: An Analysis of Lampo Leong’s Abstract Ink Painting.” Art Review, Macao/Zhuhai (Issue 56, 6/2020): 44-48 (6 color plates; photo: Heng-Chia Hsu).
• Almeida, Inês. “Sistema de Educação Não dá Importância à Arte e Ao Design.” Jornal Tribuna de Macau, Macao (June 17, 2019): 1-3 (Photo by Tatiana Lages; 3 color plates).
• Ip, Davis. “From Tradition to Innovation: Lampo Leong’s Interdisciplinary Approach to Art and Design.” UMagazine. University of Macau (Issue 20, 5/2019): 46-51 (3 color plates).
• Mo, Zhiyong. “Lampo Leong: Breathing Dao.” PAJ: A Journal of Performance and Art. MIT Press (Massachusetts Institute of Technology Press), Cambridge, MA, USA & London, UK, Vol. 41, No. 1 (121) (2019): 49-53 (2 plates. https://www.mitpressjournals.org/doi/pdf/10.1162/p
ajj_a_00451. Google Scholar h5-index: 4).
• Mo, Zhiyong. “Wandering (at Ease): Lampo Leong’s Chanted Poetry.” Visual Communication. SAGE Publication, London, UK; Vol. 17(4) (2018): 479-486 (https://journals.sagepub.com/doi/10.1177/14703572
18787461) (7 plates. A SSCI journal; 2017 Impact Factor: 0.773; 2017 Ranking: 64/84 in Communication.)
• Beres, Tiffany. “Lampo Leong: The Energy of the Universe.” In A Collection of Works by Sun Endao, Liang Lanbo, and Tao Xinglin. Hubei, China: Wuhan Publishing House (2017): 50-91 (English and Chinese; 36 color plates for Lampo Leong’s painting; ISBN: 978-7-5582-1440-0.)
• Jiang, Tao. “Creation through the Synthesis of Eastern and Western Arts: On Lampo Leong’s Contemporary Ink.” World Art. Central Academy of Fine Arts, China (1/2017): 64-66 (4 color plates).
• Xu, Xiuling. “Interpretation of Lampo Leong’s Inkscape Painting.” Artwork. Luxun Academy of Fine Arts, Shenyang, China (6/2016): 45-47 (A CSSCI extended magazine).
• Tang, Qingnian. “Lampo Leong’s Current Painting: Light Radiating from Chaos, Spirit Revealed through Ink Washes.” Art Review. Chinese Art Magazine Publishing House, Beijing, Zhuhai & Macao, Vol. 26 (4/2015): 110-115 (5 color plates. Tang is a former editor of Art Monthly, Beijing.)
• Berger, Patricia. “Lampo Leong’s Contemplation • Forces.” in Lampo Leong: Dynamic Forces. Taiwan: Artists in Taiwan (2014): 3 (Prof. Berger is Chair of Art History, Univ. of Calif. Berkeley).
• Allton, Kevin. “The Wild Calligraphy of Lampo Leong.” in Lampo Leong: Wild Cursive. Taiwan: Artists in Taiwan (2014): 3-4 and Artist magazine, Taiwan (10/2012): 292 & 293 (3 color plates).
• Wang, Huangsheng. “A Response to Life Energy: Lampo Leong’s Contemplation • Forces.” Art Investment. Beijing, Shanghai & Taipei (9/2013): 216-217 (2 color plates. Huangsheng Wang is a Professor and Director of the Museum of the Central Academy of Fine Arts, Beijing, China.)
• Li, Weiming. “Deconstruction • Reconstruction: Lampo Leong’s Contemplation • Forces.” Artco. Taipei (9/2013): 200 (1 color plate. Li is an art critic at the Guangzhou Academy of Fine Arts.)
• Liu, Charles. “A Review on Chinese Ink Painting in North America.” Art Salon. The People’s Fine Arts Publishing House, Beijing, China (2013/1): 214-231 (18 color plates. Liu is a curator in USA.)
• Russu, Peter. Editor. Creative Genius: 100 Contemporary Artists. London, UK: Masters of Today (2012): Cover & 195 (2 color plates. A 240-page, 9”x9”, hardcover international art book.)
• Fleishman, Michael. Drawing Inspiration: Visual Artists at Work. Clifton Park, NY, USA: Delmar Cengage Learning (2010): 31, 266, 267 & 350 (3 color plates. English. A 372p, 11”x8.5”, art book.)
• Ledderrose, Lothar. “East Asian Calligraphy in the Modern Era.” In The Art of Writing: Contemporary Art from Three Cultures. Editor: Heinz Kroehl. Germany: Written Art Foundation and Kehrer Verlag Heidelberg Berlin (2011): 46, 118-119 (1 color plate. A hard cover, 320p, 12”x9.5” book. Ledderrose is Professor of Art History, University of Heidelberg, Germany.)
• Tunberg, Despina. Editor. International Contemporary Masters - Volume III. Santa Barbara, CA, USA: World Wide Art Books (2010): 178 (1 color plate. A hard cover, 375-page, 13”x10” art book.)
• Sedley, Jerry. Editor. “Professor Lampo Leong.” New Art International. Woodstock, NY: Book Art Press (2009): Front Cover, 58 & 59 (5 color plates. A 158-page, 12”x9”, art book. Cover Award.)
• Song, Roman. Culture Conflict? No, Thanks! (4 Artists: Karoline Kroiss, Germany, Renate Minarz & Eva Riebler, Austria), Beijing, China: Raab Galerie (2008): 39-48 (6 color plates. A 50p catalog.)
• Piller, Josienne. “Refiguring Fragmented Identity.” Han Zi Reinvented: The Rhythm of Chinese Script. Fullerton, CA: California State University (2006): 10-13, 31-35 (English. 5 color plates.)
• He, Mali. “Lampo Leong Gained International Reputation.” Macao Daily News. Macao (7/30/2006): C2-Macau Story (5 color plates).
• Picassinos, Carlos. “Swublimacao Taoista: Lampo Leong Abre Exposicao De Caligrafia No Centro De Industrias Criativas.” Hoje Macau. Macao, V.5, N.1193 (7/18/06): Front (Portuguese. 3 plates.)
• Fischer, Margy. “From Oppression to Expression.” Vox Magazine. Published by Columbia Missourian, Columbia, MO, USA, Vol. 7, No. 52 (January 20, 2005): 2 & 7 (English. 2 plates.)
• Raub, Kevin. “Questioning Art.” Gentry Magazine. Menlo Park, CA (9/2004): 122-129 (1 color plate).
• Fischer, Jack. “Open-Ended ‘Question’: Interactive Exhibit Invites Viewers to Think About Art.” San Jose Mercury News. San Jose, CA (Sunday, August 8, 2004): 3E & 12E (English. 1 color plate.)
• Baker, Kenneth. “Stanford Show Poses More Questions Than Answers.” San Francisco Chronicle. San Francisco, CA, USA (July 31, 2004): Datebook - E10 (English. 1 color plate.)
• Blose, Chris. “Tradition Meets Technology.” Mizzou: The Magazine of the MU Alumni Association. University of Missouri-Columbia (Summer 2004): 14-15 (English. 1 color plate.)
• Chen, Monica. “Lampo Leong’s Painting Bridges the Old and New.” World Journal. Chicago, IL, USA (October 15, 2003): B1 (Chinese. 1 color plate.)
• Reineke, Charles. Editor. “Aesthetic Additions: 4 New Arrivals Energize the Arts at MU.” Illumination. University of Missouri-Columbia, Vol.6, No.1 (Sp. 2002): 19, 22 & 23 (5 color plates).
• Rynders, Stacey. “Bridging the Cultural Divide: Artists fuse Western influences with their traditional media.” Vox Magazine. Columbia Missourian, Columbia, MO (2/7/2002): 7 (English).
• Kaegel, Jenna. “Global Expressions.” Columbia Daily Tribune (1/13/02): 1C & front (4 color plates).
• Marquis, Pamela. “Artist Profile - Lampo Leong: Creating A New Visual Language.” Columbia Home. Columbia, MO (February 2002): 14-18 (English. 8 color plates.)
• Moy, Edmund. “Chinese Calligraphy Meets Modern Computer Technology.” AsianWeek. San Francisco, CA, USA, Vol. 21, No. 45 (July 6-12, 2000), (English. 2 plates.)
• Pi, Daojian. “A Transcendent Quality: Lampo Leong’s Contemplation • Forces.” World Art. Beijing, China: Central Academy of Fine Arts, Vol. 79 (9/1998): 70-71 & Backcover (5 color plates).
• Berk, Amy. “Shinning Stars at the Pacific Heritage Museum.” Artweek. San Jose, CA (3/98): 1 & 28.
• Liu, Manni, & Park, Jung. “Bridging The Old & New Worlds.” Asian Art News. Hong Kong (9-10/ 1997): 81-83 (English. 5 color plates. Liu was Director at Chinese Culture Center in San Francisco.)
• Hongye. “A Transcending Vision: Lampo Leong’s Art.” Art Life. Hefei, Anhui, China (Sep/Oct 1997): 38-43 (Chinese. 9 color plates. Hongye was a columnist at Ta Kung Pao in Hong Kong.)
• Hongye. “Lampo Leong’s Painting: Artwork that Utilizes New Scientific Technology.” Ta Kung Pao. Hong Kong (Sept. 14, 1997), (Chinese. 2 color plates.)
• Qiu Suo. “A Successful Synthesis of Music, Dance and Painting.” China & World Cultural Exchange. Beijing, China, Vol. 25 (May 1996): 59 (Chinese. 1 plate.)
• Lin, Rong. “Lampo is Running Between the Continents.” Guangzhou Art Research. Guangdong, Vol. 11 (Feb 1993): 1 (Chinese, 3 plates) & People’s Daily, Beijing, China (5/14/1993), (1 plate).
• Crabtree, Betsy. “A Conversation with Chinese Brush Painter Lampo Leong.” San Francisco Arts Monthly. San Francisco, CA, Vol. 2, No. 11 (Feb. 1992): Front page & 11 (English. 2 plates.)
ACADEMIC PUBLICATIONS:
• Leong, Lampo. “The Evolution of Contemporary Ink in the Digital Age.” Artist magazine, Taipei, Taiwan (02/2022): ?? (5 color plates).
• Yang, Chao, and Lampo Leong (Corresponding Author, Liang Lan-Bo). “Glocalization Expression in International Brand Image Design.” Packaging Engineering, Chongqing, China: Southwest Technology and Engineering Research Institute (Vol. 42, No. 22, 11/2021): 359-366; ISSN: 1001-3563; Packaging Engineering is a Beijing University Chinese Core Journal.)
• Jiang, Tao, and Lampo Leong (Corresponding Author). “Emphasizing both the Professional Education and General Education: Art Education in the United States.” Higher Education Exploration. Publisher: Editorial Division of Education Dept. of Guangdong Province, Guangdong Education Magazine (Vol. 215, 5/3/2021): 96-100 (ISSN: 1673-9760; A CSSCI Journal.)
• Leong, Lampo. “Constructing a Healthy Ecological Chain for Artistic Development.” Judge’s Statement, 2020 Exposicao Colectiva dos Artistas de Macau (Collective Exhibition of Macao Visual Arts). General Coordination: Ian-Ian Mok, Artistic Director: Wai-Ip Lam, Macao, China: Instituto Cultural de Macau (11/2020): 28-29 (A 27.5 x 21cm catalog for the exhibit at the Macao Contemporary Art Center – Navy Yard No.1; Chinese & English; ISBN 978-99937-0-491-1).
• Leong, Lampo. “There Is Ink, There Is Image.” Dispersion and Convergence: The Third Global Overseas Chinese Artists Exhibition. Chief Editor: Xianliang Cai, Editor: Xiaosong Wang, Jinan: Shandong Fine Arts Publishing House (12/2020): 084-101 (A catalog for the exhibit at the He Xiangning Art Museum in Shenzhen; Chinese & English; 6 color plates; ISBN 978-7-5330-8490-5).
• Zhang, Xiwen, and Lampo Leong* (Corresponding Author). “Metamorphosis and Infinity: Jennifer Wen Ma’s Construction of a Virtual Fantasy World with Multimedia.” Art Alive: Essentials of Art Macao. Macao: EYC-Editoria Yiwen da China, Patronage: Secretariat for Social Affairs and Culture, Macao SAR Government (4/2020): 362-369 (Chinese and English).
• Yang, Chao, and Lampo Leong.* (Corresponding Author) “Dynamic Changeable University Logo Design and Its Extended Applications in the 5G Era.” Packaging Engineering, Chongqing: Southwest Technology and Engineering Research Institute (Vol. 41, No. 2, 2/2020): 252-258; ISSN: 1001-3563; Packaging Engineering is a Beijing University Chinese Core Journal. Leong is the corresponding author.)
• Jiang, Tao, and Lampo Leong.* “The Naiad Incarnate: Brian Oglesbee's Water Series Photography.” World Art, Beijing: Central Academy of Fine Arts (3/2018): 52-54 & Inside Back Cover (6 Color Plates; A Beijing University Chinese Core Journal; Leong is the corresponding author.)
• Leong, Lampo. “Critique Fosters Creativity in Art Education.” Across the Divide: Individualized Education in Art and Design. Shijiazhuang: Hebei Fine Arts Publishing House (5/2018): 002-006.
• Leong, Lampo. “The Benefits of Critical Thinking in Art Education.” In Across The Divide: Thoughts & Dialogues on International Art Education. 197-203. Beijing: China Industry Press, 2015.
• Leong, Lampo. “Utilizing Critical Thinking and Concept Mapping Skills to Enhance Artistic Creativity.” In Synthesis • Interaction • Innovation: Comparative Studies of Art Education between East and West. 104-111. Beijing, China: The People’s Fine Arts Publishing House, 2013.
• Leong, Lampo. “Enhancing the Understanding of Art through Analysis of Form.” In Yeongwol International Museum Forum • Section I. 199-223. Yeongwol, Korea, 2013 (English & Korean).
• Leong, Lampo. “The Visual Forces of ‘Ω Curve’: A Case Study in Chinese Brush Painting.” Humanities & Art. Guizhou People’s Publishing, Guiyang, China (2012): 113-136 (14 Plates).
• Leong, Lampo. “The Nourishment of Creativity in the United States.” In Courage • Vision: Celebratory Essays for the 30th Anniversary of the College of Art Education at the Guangzhou Academy of Fine Arts. 70-72. Guangzhou, China: Guangdong Higher Education Press, 2011.
• Leong, Lampo. “A Few Ideas for China’s Higher Education Reform Inspired by Western Educational Concepts.” Art Observation. Chinese National Academy of Arts, Beijing, China (6/2011): 128-130 (A CSSCI magazine).
• Leong, Lampo. “Student-Centered Instructional Strategies in Art Education.” Calligraphy and Painting Education. Hangzhou, Zhejiang: China Calligraphy Magazine (10/2010): 4-6.
• Leong, Lampo. “Special Characteristics of the Postmodern International Style in Art.” Art Critic, Beijing, China, No. 6 (7/2010): 38-43 (4 Illustrations). Essay cited by 43 other publications.
• Leong, Lampo. “The Purpose and Method of ‘Critique’ in Art Education.” Fine Arts and Design. Nanjing Arts Institute, Nanjing, China, No. 131 (5/2010): 147-150 (A CSSCI magazine).
• Leong, Lampo. “The Importance of ‘Critique’ in Art Education.” In A Global Perspective: Comparative Study of Higher Education in Art between China and the World. Beijing, China: Higher Education Press (12/2009): 65-69. Essay cited by Artbox and 3 other publications.
• Leong, Lampo. “On Foundation.” In Essays from the National Ten Art Institutions’ Symposium on Foundation Education. Beijing: China Youth Publishing (7/2007): 343, 344, 375, 376, 379, 383, 389 & 404.
• Leong, Lampo. “Recoding the Roots: Genetic Reformation & Culture Synthesis in the Era of Globalization.” Yishu: Journal of Contemporary Chinese Art. Taipei, Taiwan & Vancouver, Canada: Art & Collection Ltd. (June 2004): 83-88 (English, 5 color plates).
• Leong, Lampo. “The Deconstruction and Reformation of Genes.” In Modern Ink Painting Series IV: The Artistic Trend of Modern Chinese Ink Works in the Late 20th Century. 28, 29, 104-109. Harbin, China: Heilongjiang Art Publishing House, 2000 (2 color and 6 B&W plates).
BOOKS:
• Lampo Leong: The Dao of Ink. Macao: Macao Foundation (2020) (A 128-p, 12”x9.25”, 31cm x 24cm, book of Leong’s work; Over 100 color plates; http://faculty.missouri.edu/leongl/Biography/Book/
LeongLampoDaoOfInkW.pdf).
• Inkscape: A Collection of Works by Sun Endao, Liang Lanbo, and Tao Xinglin. Hubei, China: Wuhan Publishing House (2017): 50-91 (Exhibits at Tanghu Art Museum, China; 36 color plates).
• Lampo Leong: Inkscape. New Taipei City, Taiwan: Artists in Taiwan (2016) (A 48-page, 10”x10”, book of Leong’s ink painting; 38 color plates; ISBN: 978-986-84287-7-5; http://faculty.missouri.edu/leongl/Biography/Book/
LampoLeongInkscapeW.pdf).
• Lampo Leong: Dynamic Forces. New Taipei City, Taiwan: Artists in Taiwan (2014) (A 48-p, 10”x10”, 25cmx25cm, book of Leong’s oil painting; 35 color plates; ISBN: 978-986-84287-6-8; http://faculty.missouri.edu/leongl/Biography/Book/
LampoLeongDynamicForcesW.pdf).
• Lampo Leong: Wild Cursive. New Taipei City, Taiwan: Artists in Taiwan (2014) (A 48-p, 10”x10”, book of Leong’s calligraphy; 35 color plates; ISBN: 978-986-84287-5-1; http://faculty.missouri.edu/leongl/Biography/Book/
LampoLeongWildCursiveW.pdf).
ACCOLADES:
2007, 40th Annual Faculty-Alumni Awards, University of Missouri-Columbia, MO, USA
1999, Mayoral Proclamation: Lampo Leong Day (November 19th), City of San Francisco, CA, USA
1995, US Congressional Record 141(152), Sept. 27, Congressman Bill Baker, Washington DC, USA
LANGUAGE SKILLS:
Chinese and English.
COMPUTER LITERACY:
Photoshop, inDesign, Illustrator, etc.
COURSES, SEMINARS AND WORKSHOPS::
Art, design, photography, and digital art courses.
SYMPOSIUMS AND ACADEMIC CONFERENCES::
Guest Speaker, Southern University of Science & Technology, Shenzhen, Guangdong, China, 2020
Guest Speaker, Sichuan Academy of Fine Arts, Chongqing, China, 2019 (Department of New Media)
Guest Speaker, Chongqing University Lecture Series, No. 51, Chongqing, China, 2013 & 2019
Keynote Speaker, #Entrepreneurship #Design #Creativity: Guangdong/HongKong/Macao Greater Bay Area Design Forum. Direcção dos Serviços de Economia, Macao and Macao International Brand Enterprise Commercial Association, Macau Tower, Macao, 2019
Guest Speaker, China Academy of Art, Hangzhou, Zhejiang, China, 2018 (Practice Lecture Series No. 30th)
Keynote Speaker, The First University Art Education Development Forum, Guangdong Provincial Education Department & Guangdong Artists Association, Guangzhou, China, 2018
Guest Speaker, Guangzhou Academy of Fine Arts, Guangzhou, China, 2018, 2012, 2011, 2009 & 2008
Guest Speaker, Sichuan University, Chengdu, Sichuan, China, 2017 (A 985 & 211 Project University)
Guest Speaker, South China University of Technology, Guangzhou, China, 2017 (A 985 University)
Guest Speaker, Zhengzhou University, Zhengzhou, Henan, China, 2017 (A 211 Project University)
Guest Speaker, Symposium on the Development of the College of Art in Teaching Universities, Art and Design Research Center, Beijing Union University, Beijing, China, 2017
Guest Speaker, Huazhong University of Science and Technology, Wuhan, China, 2016 (A 985 Univ.)
Guest Speaker, Wuhan University, Wuhan, Hubei, China, 2016 (A 985 & 211 Project University)
Guest Speaker, Huazhong Agricultural University, Wuhan, Hubei, China, 2016 (A 211 University)
Guest Speaker, Hubei Institute of Fine Arts, Wuhan, Hubei, China, 2016
Panel Speaker, International Design Symposium, Guangdong University of Technology, 2016
Guest Speaker, Distinguished Lecture Series, South China Agriculture University, China, 2016
Guest Speaker, Shanghai Academy of Art, Shanghai University, Shanghai, China, 2016
Visiting Artist, Southern Illinois University Carbondale, Carbondale, IL, USA, 2015
Guest Speaker, Distinguished Lecture Series, No. 36, University of Macau, Macao, 2013
Guest Speaker, Chongqing University Lecture Series, No. 51, Chongqing, China, 2013 (A 985 Univ.)
Panel Speaker, The 4th World Chinese Arts Education Symposium, Guangzhou, China, 2013
Panel Speaker, The Futurity of Museum: Yeongwol Museum International Forum, S. Korea, 2013
Guest Speaker, Harbin Institute of Technology, Harbin, Heilongjiang, China, 2012 (A 985 University)
Guest Speaker, Weiner Distinguished Professor Lecture, MO Univ. of Science & Technology, 2012
Guest Speaker, University of Wisconsin, Eau Claire, WI, USA, 2011
Guest Speaker, University of California, Davis, Department of Art and Art History, CA, USA, 2010
Guest Speaker, Luxun Academy of Fine Arts, Shenyang, Liaoning, China, 2010
Panel Speaker, Art Education in Normal Universities, South China Normal University, 2009
Panel Speaker, National Universities Symposium on Fine Arts Education Reform in World Perspective, Organized by the National Education Association, China, 2009
Guest Speaker, 38th Annual Conference, Mid-Atlantic Region Association for Asian Studies, Villanova University, Villanova, PA, USA, 2009
Guest Speaker, University of Minnesota, Twin Cities, MN, USA, 2008, 2006, & 2005
Guest Speaker, The Nelson-Atkins Museum of Art, Kansas City, MO, USA, 2008
Guest Speaker, University of California, Berkeley, CA, USA, 2007, 2001, 1998, & 1997
Panel Speaker, Wild Cursive Chinese Calligraphy, Cal Performances, University of California, Berkeley, CA, 2006 (Panel discussion in conjunction with Wild Cursive, a dance performance by Hwai-min Lin, Art Director, Cloud Gate Theatre, Taiwan.)
Guest Speaker, Chinese Art Academies National Symposium on Foundation Education, Central Academy of Fine Arts, Beijing, China, 2005
Guest Speaker, National Taiwan Normal University, Taipei, Taiwan, 2005
Guest Speaker, Tainan National University of the Arts, Tainan, Taiwan, 2005
Panel Speaker, College Art Association 92nd Annual Conference, Seattle, WA, USA, 2004
Guest Speaker, Asian Art Museum of San Francisco, CA, USA, 2001, 2000, 1999, 1998, & 1997
Guest Speaker, Stanford University, International Studies, Palo Alto, CA, USA, 2000 & 1999
Guest Speaker, Museum of Modern Art, San Francisco, CA, USA, 1999
Panel Speaker, Dialogue in Ink: Japanese & Chinese Perspectives on Modern Brushwork, Asian Art Museum of San Francisco & Limn Gallery, San Francisco, CA, USA, 1999
MEMBERSHIPS & ASSOCIATIONS:
Chinese Artists Association
Macao Artists Association
COLLECTIONS:
Public Art - City & Country of San Francisco, Commissioned by San Francisco Arts Commission for a San Francisco public park - Woh Hei Yuen, CA, USA (Calligraphic granite inlaid medallion)
Public Art - Columbia City Hall, City of Columbia, MO, USA
Morrison & Foerster, A USA law firm with offices in Europe and Asia
University of Missouri-Columbia, MO, USA
Epcot Center, Walt Disney World, Orlando, Fl, USA
Cathay Bank, Headquarter, El Monte, CA, USA
The Tokyo Westin, Tokyo, Japan
Hotel East 21, Tokyo, Japan
The Westin Surabaya, Surabaya, Indonesia
JURY MEMBERSHIPS:
2022, Curator, Visions: Artistic Exploration from the University of Macau Centre for Arts and Design, Rui Cunha Foundation Art Gallery, Macao
2021, Curator, Macao International Art Biennale • Collateral Exhibition: Experiments from the University of Macau Art Professors and Postgraduate Students, Art Museum of the Centre for Arts and Design, University of Macau, Macao
2021, Judge, 2021 China Creative Design Competition. China Packaging Design Association, Hangzhou, China
2021, July Member, A‘Design Award & Competition, Mood Museum of Design, Milan, Italy (One of the most prestigious and influential design awards in the World.)
2020, Judge, 2020 Exposicao Colectiva dos Artistas de Macau. Instituto Cultural de Macau, Macao, SAR of China
2020, Judge, 2020 China Creative Design Competition. China Packaging Design Association, Hangzhou, China (Wu Liang Ye Packaging and Branding Strategy Design)
2019, Judge, The 16th Composition Competition of Musicacoustica Beijing 2019. Music video, Electronic Music Association of China, Central Conservatory of Music, Beijing, China
2018, Curator, East-West Dialogue V: Artworks from Chinese Visiting Scholars and Their Hosting Professors, Central Bank Gallery, Columbia, MO, USA
2016, Curator, East-West Dialogue III, University of Missouri-Columbia, MO, USA (Also 2014, 2015)
2010, Judge, 47th Annual Juried Exhibition, Sumi-e Society of America national exhibition, USA
2010, Reviewer, Visual Arts Panel, Missouri Arts Council, Saint Louis, MO, USA (Also 2008 & 2007)
2007, Judge, Forces of Nature juried exhibition, Art Saint Louis, Saint Louis, MO, USA
2007, Co-curator, International Modern Brush Painting, Chinese Cultural Center, San Francisco, CA
2007, Curator, Modern Brushwork: International Brush Painting, University of Missouri-Columbia
2004, Curator, Chinese Artists in Academia, Columbia Art League, Columbia, MO, USA
2003, Juror, Best of America (National juried exhibition), Lake Ozark, MO, USA
1998, Juror, Selection Panel for Public Arts, San Francisco Art Commission, CA, USA
HOBBIES:
Fine arts, graphic design, photography, digital art, video, etc.
CLIENTELE:
Macau Urban Renewal Limited, Macao
University of Missouri-Columbia, University of Macau, Macao Cultural Affairs Bureau, City of Columbia, City and County of San Francisco, Morrison & Foerster, Epcot Center, Walt Disney World, Cathay Bank, The Tokyo Westin, Hotel East 21, Tokyo, Japan, The Westin Surabaya, Surabaya, Indonesia, etc.
WEB SITE:
https://fah.um.edu.mo/lampo-leong/
PORTFOLIO URL:
https://visualstudies.missouri.edu/index.php/node/
22
RSS URL:
https://comm.fss.um.edu.mo/people/academic-staff/l
ampo-leong/
REGISTRATION DATE:
2019-03-03 13:28:46
COUNTRY/REGION:
Macau (China)
ACCOUNT TYPE:
Academic
Awards received by Lampo Leong
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Metamorphosis Iii Video Animation and Dance A' Design Award Winner for Graphics, Illustration and Visual Communication Design Category in 2018 Lampo Leong, Yanjinzi Gao and Xianxin Ye for Centre For Arts and Design, University of MacAu, MacAo |
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America Heartland Aerial Photography A' Design Award Winner for Photography and Photo Manipulation Design Category in 2021 Lampo Leong for University of MacAu Department of Arts and Design |
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Near Light Video Animation and Dance Bronze A' Design Award Winner for Movie, Video and Animation Design Category in 2018 Lampo Leong, Yves Sonolet and Zhihao Li for Centre For Arts and Design, University of MacAu, MacAo |
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Behind Glory A Wugang Documentary Bronze A' Design Award Winner for Photography and Photo Manipulation Design Category in 2019 Lampo Leong for University of MacAu Centre For Arts and Design |
Runner-Up status designs by Lampo Leong
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Inkniverse Contemporary Digital Ink Art Runner-Up for Movie, Video and Animation Design Category in 2021 Lampo Leong for University of MacAu Department of Arts and Design |
Press Members: Request an exclusive interview with Lampo Leong.| SOCIAL |
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