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Christoph Guenther Vertebra Flexible Floor Lamp
Vertebra Flexible Floor Lamp is Iron Design Award winner in 2018 - 2019 Lighting Products and Fixtures Design Award Category.
Vertebra Flexible Floor Lamp

This smart constructed lamp uses a folding technique, that allows to create voluminous lampshades out of a single plane strip, which comes in a variety of colors and patterns. The lampshade is connected to a flexible goose-neck rod and satisfies your individual creativity in a wide range of deforming. Rings, waves, straights or twisted shapes, it ensures a well defined curve without buckles. The cast iron base enables stability, even by favoring horizontal deforming.

Vertebra Flexible Floor Lamp
Christoph Guenther Vertebra
Christoph Guenther Flexible Floor Lamp
Christoph Guenther design
Christoph Guenther design
Christoph Guenther

Christoph is a designer who works and lives in New York. He always understood design as a combination out of different perspectives and professions. Early on he felt the urge to create a holistic design that combined architecture, interior design, industrial/product design and fashion design. He was especially intrigued by the fact that, despite the complexity of each profession, they shared far more similarity than it seemed at first glance. Each of these categories has a common final objective that is deeply connected to human beings but differentiates in its relationship to the human body and the type of mental work required to accomplish it. However, if you combine all four approaches, you can begin to understand design in its completeness, observing and considering it from several different angles.

Christoph Guenther

Christoph is a designer who works and lives in New York. He always understood design as a combination out of different perspectives and professions. Early on he felt the urge to create a holistic design that combined architecture, interior design, industrial/product design and fashion design. He was especially intrigued by the fact that, despite the complexity of each profession, they shared far more similarity than it seemed at first glance. Each of these categories has a common final objective that is deeply connected to human beings but differentiates in its relationship to the human body and the type of mental work required to accomplish it. However, if you combine all four approaches, you can begin to understand design in its completeness, observing and considering it from several different angles.