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Christoph Guenther Sinus Sun Lounger
Sinus Sun Lounger is Iron Design Award winner in 2018 - 2019 Furniture Design Award Category.
Sinus Sun Lounger

Sinus is sun lounger, which matches the user, no matter how big, small, tall or short. The unlimited number of individualized lying positions signifies the special feature of Sinus. The way you adjust angle and position operates on a comfortable height instead of being underneath the lounger. The completely different adjustment concept goes without a snapping raster and operates with tension, not compression and your head will find calm rest on a smooth shaped, wooden ring, inspired by your favorite pillow.

Sinus Sun Lounger
Christoph Guenther Sinus
Christoph Guenther Sun Lounger
Christoph Guenther design
Christoph Guenther design
Christoph Guenther

Christoph is a designer who works and lives in New York. He always understood design as a combination out of different perspectives and professions. Early on he felt the urge to create a holistic design that combined architecture, interior design, industrial/product design and fashion design. He was especially intrigued by the fact that, despite the complexity of each profession, they shared far more similarity than it seemed at first glance. Each of these categories has a common final objective that is deeply connected to human beings but differentiates in its relationship to the human body and the type of mental work required to accomplish it. However, if you combine all four approaches, you can begin to understand design in its completeness, observing and considering it from several different angles.

Christoph Guenther

Christoph is a designer who works and lives in New York. He always understood design as a combination out of different perspectives and professions. Early on he felt the urge to create a holistic design that combined architecture, interior design, industrial/product design and fashion design. He was especially intrigued by the fact that, despite the complexity of each profession, they shared far more similarity than it seemed at first glance. Each of these categories has a common final objective that is deeply connected to human beings but differentiates in its relationship to the human body and the type of mental work required to accomplish it. However, if you combine all four approaches, you can begin to understand design in its completeness, observing and considering it from several different angles.