Szilárd Cseke’s and Kinga German's work entitled "Sustainable Identities" investigated global issues at the Venice Biennale. Questions of identity were brought into collision with themes of migration, thus alluding to sustainability with the combination of found and recycled objects. White balls continuously moving back and forth inside the seven translucent tubes and a pillow-like foil cushion called attention to collective and individual identity formations. The inner courtyard was designed as interactive space. The project appealed to more than 502000 visitors.

Kinga German is art historian. She used to work closely with her students at the University of Art and Design Moholy-Nagy in Budapest, showing them how the "real work and life" is. She understand art and design as open fields, where overlappings in form and content are normal. Art is for her creativity on a high level and it is a dialogue with the society. Sustainable are projects which involve opportunities to reflect our behaviour and reclaim space for processes of self-determination.

Location: The Hungarian Pavilion, created 1909 by Géza Maróti (1875-1941), after World WarII. was severaly damaged and closed down for restoration. Partially reconstructed by Ágost Benkhard (1882-1961), the Hungarian Pavilion was reopened to the public in 1958. In 2015 the pavilion was the home of the project "Sustainable Identities" (Szilárd Cseke-Kinga German). Project performer: Artist Szilárd Cseke having finished his Master's degree in painting, Cseke graduated from the University of Pécs in 1995. He began to create mobile objects in the mid-90s. His works demonstrate social and economic processes, with particular emphasis on themes of migration and the search for identity. Project leader: Kinga German, curator. She is an art historian who has studied at the universities of Heidelberg and Karlsruhe. Living in Germany for 14 years, she was a contributing editor in one of the daily bulletins, where she wrote critiques about contemporary art. In 2011, she received her PhD from Stuttgart University and completed her studies in cultural management at Fernuniversität Hagen. Since 2008, she has been working at the Moholy-Nagy University of Art and Design Budapest, and as of 2015 as an associate professor.