The motives of this project are the warmth of human beings and the metallic titanium with the coexistence of both elements as its goal. The design of this project elaborates and embellishes the contrasts between the motives. Its interpretation of the motives' connotation brings light to the impeccable linkage between "nature" and "modern". When aesthetics is detached from principles, creativity leaps out of frames so that the infinite intuitive originality of design can be maximized.

Return to Nature. People are willing to get out more To be outdoors, Or to let Nature be part of one’s life, To allow for Nature to enrich the vocabulary of home sphere. Simply let Nature in and ride on its poise. Rich and diverse elements, That display how detachment can exist alongside dense complexity, Much like the multiple facets of flowers That will ultimately render themselves To final selections after much deliberation.

"Yuan King" means "back to nature" in Chinese. The re-arrangement of space. Extension and Continuation. Exist in amidst compartments. The planning of visual space reveals a lot about hidden content. Basic functionalities have to meet all stringent requirements with precision. All minute details, In their multi-combinations, have to amplify and glorify each other, To bring out a resoundingly fabulous performance in space.