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![]() ![]() About QiuYu Li : I think it is wonderful that the activities, essence, sensations, and invisible functions of humans and nature are expressed in the form of stripped unnecessary objects. I got the impression that the design is likely to change to become a common language, regardless of nationality, language, or culture.(Yukiko Kozaki)
The exquisite stylishness that does not subtract too much was the best among the exhibited works this time.(Akio Takimoto)
A work that makes me feel that there are still many opportunities for minimal modeling. I got energized.(Shingo Fujiwaki)
His exhibition is categorized as chitin and the concept is clear. A fragment of human activity is cut out from a combination of simple geometric patterns. There is a hint that "makes us who are immersed in our daily life stop and think" and makes the viewer notice "ha" and think.(Hidemasa)
Design and art are not in conflict, and from the perspective of history, design can be said to be art that is closely related to the industry derived from art. Design and art should be more connected in a multidimensional era like present, and there is no need to make a clear distinction. However, due to the special nature of design, it is necessary to refrain from complete self-expression, so it is important to strike a good balance between reason and sensibility in production. ORGANIZATION: Osaka University of Arts EDUCATION: 2013 - 2016, Digital art animation course, Osaka Electro Communication University, Osaka/Japan. 2016 - 2018, Graphic Design, Master' s course, Osaka University of Arts, Osaka/Japan. 2019 - present, Graphic Design, Doctoral course, Osaka University of Arts, Osaka/Japan. EXPERIENCE: 2019, teaching assistant, Osaka University of Arts, Osaka/Japan. 2021, teaching assistant, Osaka University of Arts, Osaka/Japan. PRIVATE EXHIBITIONS: 2021, [ The Physical Graphics - SYUJI Design collection 1st ], PLANT/Art lab Omm, Osaka/Japan. 2021,[The New Vision of Typography - SYUJI Volkov Collection 2nd] PLANT/Art lab Omm, Osaka/Japan. MIXED EXHIBITIONS: 2019, [The 28th International Art Exhibition of Japan and China], Osaka University of Arts, Osaka/Japan. 2020, [Unknown Asia 2020 Online], Exhibitor, Creator art fair, FM802, Osaka/Japan. 2021, [2020 C-IDEA Design Award Ceremony and Exhibition], DOOSUNG PAPER GALLERY, Seoul/South Korea. 2021, [Independent Tokyo 2021], Exhibitor, Art fair, Tagboat Co Ltd, Tokyo/Japan. 2021, [Unknown Asia 2021], Exhibitor, Creator art fair, FM802, Osaka/Japan. EVENTS: 2020, [Unknown Asia 2020 Online], Exhibitor, Creator art fair, FM802, Osaka/Japan. 2021, [Independent Tokyo 2021], Exhibitor, Art fair, Tagboat Inc, Tokyo/Japan. 2021, [Unknown Asia 2021], Exhibitor, Creator art fair, FM802, Osaka/Japan. AWARDS: 2022, Bronze, A` Design Award 2022, Italy 2022, Gold Winner, Indigo Design Award 2022, Holland 2021, Accepted, Japan Typography Association 2022, Japan. 2021, Accepted, C-IDEA Design Award 2020, The International Design Award. 2021, Reviewer Prize, Unknown Asia 2021, Osaka/Japan. 2020, Accepted, Japan Typography Association 2021, Japan. 2020, Reviewer Prize, Unknown Asia 2020 Online, Osaka/Japan. 2019, Accepted, Japan Typography Association 2020, Japan. PRESS APPEARANCES: 2021, [Japan Creators 2021], Production notes, P38~39, Tokyo/Japan. ACADEMIC PUBLICATIONS: 2020, [Applied Typography 30], PIE International, NPO Japan Typography Association, Japan, ISBN9784756253293C3070. 2021, [Applied Typography 31], PIE International, NPO Japan Typography Association, Japan, ISBN9784756253293C3070. 2021, [Japan Creators 2021], P38 P39, Colors Inc, Nonoka Suzuki, Japan, ISBN9784862465085. 2022, [Applied Typography 32], PIE International, NPO Japan Typography Association, Japan, ISBN9784756253293C3070. BOOKS: 2020, [Applied Typography 30], PIE International, NPO Japan Typography Association, Japan, ISBN9784756253293C3070. 2021, [Applied Typography 31], PIE International, NPO Japan Typography Association, Japan, ISBN9784756253293C3070. 2021, [Japan Creators 2021], P38 P39, Colors Inc, Nonoka Suzuki, Japan, ISBN9784862465085. 2022, [Applied Typography 32], PIE International, NPO Japan Typography Association, Japan, ISBN9784756253293C3070. ACCOLADES: 2022, "Practitioner", World Design Ratings, Como/Italy LANGUAGE SKILLS: Chinese (Native) Japanses (Near Native) English (Beginner) COMPUTER LITERACY: Adobe Illustrator, Advanced. Adobe Photoshop, Novice. COURSES, SEMINARS AND WORKSHOPS:: 2022, HAKU+AIDEA sDGS project, MURATA KIMPAKU co.,Ltd., Osaka/Japan MEMBERSHIPS & ASSOCIATIONS: 2022, IAD(International Association of Designers), Como/Italy 2022. WDC(World Design Consortium), Como/Italy COLLECTIONS: 2022, Museum of Design, Como/Italy HOBBIES: Cooking, History, Reading book, Movie, CLIENTELE: 2022, MURATA KIMPAKU Co Ltd, Greeting card. 2022, MURATA KIMPAKU Co Ltd, Bookmark. WEB SITE: https://www.instagram.com/syu_ji_tyugata/ PORTFOLIO URL: https://archer19920910.wixsite.com/syujidesign RSS URL: https://archer19920910.wixsite.com/syujidesign REGISTRATION DATE: 2021-11-24 14:51:53 COUNTRY: Japan ACCOUNT TYPE: Professional |
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Awards received by QiuYu Li
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Good design deserves great recognition. |
A' Design Award & Competition. |