Shany Abdallah Naji Experimental by Shany Dvora

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DESIGN DETAILS
DESIGN NAME:
Shany Abdallah Naji

PRIMARY FUNCTION:
Experimental

INSPIRATION:
In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco

UNIQUE PROPERTIES / PROJECT DESCRIPTION:
Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family. This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry

OPERATION / FLOW / INTERACTION:
-

PROJECT DURATION AND LOCATION:
2018-2019, Israel

FITS BEST INTO CATEGORY:
Graphics, Illustration and Visual Communication Design

PRODUCTION / REALIZATION TECHNOLOGY:
Mixed Media

SPECIFICATIONS / TECHNICAL PROPERTIES:
4 works 50*70 cm 1 work 75*70 cm

TAGS:
Calligraphy, Typography, Hebrew, Eastern

RESEARCH ABSTRACT:
For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions. This is the story of Dvora’s grandmother - Juliette Abdallah Moshe. Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there? In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco

CHALLENGE:
-

ADDED DATE:
2021-02-27 09:51:18

TEAM MEMBERS (1) :
-

IMAGE CREDITS:
Shany Dvora

Visit the following page to learn more: https://shanydvora.com/
CLIENT/STUDIO/BRAND DETAILS
NAME:
-

PROFILE:
-

NOMINATION DETAILS

Shany Abdallah Naji Experimental by Shany Dvora is a Nominee in Graphics, Illustration and Visual Communication Design Category.

· This project is currently confidential as results have not been announced yet. Images and further details of the project is not available for public yet, please check back later. If you are the owner of this design, please login to view the images.

· The profile and other works by Shany Dvora is also kept secret. This information will also be available later.
AWARD DETAILS

Shany Abdallah Naji Experimental by Shany Dvora is Winner in Graphics, Illustration and Visual Communication Design Category, 2020 - 2021.



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· Click here to view the profile and other works by Shany Dvora.
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