Lasso as a definition is a long rope with a running noose at one end. Instead of being inspired in; this textile is a result of. It has both special touch and aesthetic besides some special frayed channels so the light can pass through very softly. It is half industrial - half crafted, woven in electronic looms and cut by hand. This project is very attractive and addictive as a candy and has been one of the top challenges and discovery on my career as a textile designer. This project is about serendipia, stumbling upon, chance discovery, fortuity and accident.

Cristina Orozco Cuevas is a textile designer born in Mexico City in 1985. She has a BA on Textile Design graduated with honors in Universidad Iberoamericana. She has been specialized on Jacquard and dobby patterns for about more than 6 years. She has about 800 original designs being commercialized into the market. She has been innovating on techniques and conceptualization of woven textiles on her country creating a “trademark” of author textiles. She has designed for several markets from very massive till exclusive ones. She is a pioneer on developing fabrics for children, creating unique stories and characters as an objection against global aesthetics. She has made designs for the hospitality, residential, furniture and fashion accessories market. She describes herself as a passionate fabric`s fan. She defines her design process as a “wealth of conceptual information about to explote on the head and the need to create”. You just have to look at everything and textile it”. She has developed fabrics for mexican brands as ROCOCO and Nua Colección, for international brands she has worked with House of Mann. She also does some illustration, web concept and graphic design too as a need of her clients. She has been awarded in prestigious contests on her country as the Quorum (2008) and the Sixth Biennial of Design (INBA, 2011). Also she has won the Third Iberoamerican Biennal of Design in Matadero Madrid (2012). She has exhibited her work on Centres des Textiles Contemporains de Montreal in Canada, Palacio de Bellas Artes (Mexico) and Museo de Arte Popular (Mexico). Now she is working on Jacquard experimentation with techniques and yarns in order to take the best of craft and industrial processes.