Profile: Ivana Wingham

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About Ivana Wingham : Ivana Wingham is an architect and academic, studied Architecture at Belgrade University (B.Sc.), at Architectural Association London (AA Grad Dipl., M.Phil.) Bartlett, UCL (Ph.D.). She worked at University of Manchester, University of Greenwich, University of Brighton and The Bartlett School of Architecture. Her work is concerned with making and drawing of uncertain productions in architecture and design.
STATEMENT OF ART:
Design research is a temporal process in which thinking about the thing to be designed (what it may become, how do we access it, what form would it take or how will it be materialized) and making of the work towards the thing designed (the production of initial images, development of drawings, creation of models or prototypes) seem to dance together in an unusually audacious way. This audacity is what drives the relationship between thinking and making empirically and poetically, critically and experimentally. In order to unravel these strands in design research and making we often question the dichotomy between life and things, theory and practice and thinking and doing.

ORGANIZATION:
Solo Practitioner

EDUCATION:
(B.Sc. Eng.) School of Architecture, University of Belgrade, Serbia; (AA Grad Diploma) Architectural Association, London, UK; Registered Architect (RIBA Part 3), Architectural Association, London, UK;Master of Philosophy (M. Phil) in Architecture, Architectural Association, London, UK;Doctor in Architecture, (Ph.D. in Architecture) The Bartlett School of Architecture, UCL, London, UK.

EXPERIENCE:
1988-94 Design and Registered Architect, Various Architecture Private Practices, London, UK.
1995-98 School of Architecture, University of Manchester, Manchester, UK.
1998-03 School of Architecture, University of Greenwich, London, UK.
2005-15 School of Architecture and Interiors, University of Brighton, Brighton, UK.
2016 - Self Employed Architect, Interior and Furniture Designer.
2019-20 The Bartlett School of Architecture, UCL, London, UK.
2021 - 23 Architectural Association, London, UK.

PRIVATE EXHIBITIONS:
In section Academic Publications.

MIXED EXHIBITIONS:
2021 Multi-layering: exhibition of female architectural creativity, participant in the exhibition group show, 6-9 September 2021, Novi Sad, KS Liman, Serbia
2018Architect/designer for the competition/ exhibition A Desk for Mark, Architectural Association, London, UK (2018)
2015Wingham, I., ‘Air Room – A triptych drawing for spatial and temporal performance’ international symposium and exhibition, MaHKU, Utrecht Graduate School of Visual Art and Design, 2015, Utrecht. (2015)
2014 Wingham I., (in collaboration with Gharleghi, M. of studio integrate), Iridescent Air Architecture design research installation project exhibition, Sale d’Armi all’Arsenale, Venice Biennale Sessions (2014)
2014Wingham, I., (in collaboration with Gharleghi, M. of studio integrate) design research project installation ‘Touching Air’ for Mobility of the Line/Utility of the Line Exhibition, Faculty of Arts Show, University of Brighton Gallery, Brighton, UK.

EVENTS:
In section Academic Publications.

AWARDS:
2010 Wingate Scholarships Fund for Mobility of the Line book for transcription, proofreading, copyright and imaging costs;
2009 University of Brighton Award for Research Sabbatical for working on an interdisciplinary art, design and architecture book; 2008 Faculty Research Support Fund Award (FRSF) and School of Architecture and Design contribution for practice-led project ‘A Temporary Urban Garden: Teasing Adonis’;
2001 Three-year full scholarship Ph.D. Award, Arts Humanities Research Council (AHRC).

PRESS APPEARANCES:
In section Academic Publications.

ACADEMIC PUBLICATIONS:
2023 Wingham, I., 'Drawing movement before architecture: Theatricality of the objectively vague' in Drawing - Research, Theory, Practice - Intellect Books.In press.
2022 Wingham, I., 'Intersecting Ecologies of Air in Architectural Drawing', Online conference presentation for Drawing Research Symposium Presentations, 6 April 2022.
2019 Wingham, I., ‘Details in Architecture – Architecture in Details’, Invited Introduction paper for the book: Architecture of Details by Goran Vojvodic, University of Belgrade, Faculty of Architecture, ISBN 978-86-7924-212-9.
2018 Architect/designer for the competition A Desk for Mark, Architectural Association, shortlisted for an exhibition and discussion at the AA. My design explored the question if a desk can become an agent in evolving indeterminate relationships for constantly changing physical and psychical satisfaction of needs.
2016 Wingham, I., ‘Architecture’s thing and thingness of theory’, Chapter 19, published This Thing Called Theory book, Eds: Stoppani, T., Ponzo, G., Themistokleous, G., Routledge, London, 2016. ISBN-10: 113822300X; ISBN-13: 978-1138223004
2015 Wingham, I., ‘Air Room – A triptych drawing for spatial and temporal performance’, invited contributor, for A Call for Drawings, An international symposium and exhibition, at the MaHKU, Utrecht Graduate School of Visual Art and Design, June 2015, BAK, basis voor actuele kunst, Utrecht.
2015 Wingham, I., ‘Architecture and its Discontinuities: Crises whose Crisis?’ book chapter for Radical Pedagogies and the British Tradition, Eds. H.Harris, D. Froud, RIBA Publishing, published, London, May 2015, ISBN: 978-1-859-46583-7.
2015 Wingham, I., ‘Touching Air – An Architectural Scenographic Encounter’ in Perspectives on Architectural Design Research: What Matters - Who Cares – How book, extension to Architectural Design Research Venice Publication, (eds.) Smitheram, J. Moloney, J., and Twose, Spurbuch Verlag, published, Baunach, Germany, Sept. 2015. ISBN 978-3-88778-461-4.
2014 Wingham I., (in collaboration with Gharleghi, M. of studio integrate), Iridescent Air Architecture design research installation project exhibition, Sale d’Armi all’Arsenale, Venice Biennale Sessions Nov. 2014.
2014 Wingham, I., (in collaboration with Gharleghi, M. of studio integrate) design research project installation ‘Touching Air’ for Mobility of the Line/Utility of the Line Exhibition, Faculty of Arts Show, 7 March – 9 April 2014, University of Brighton Gallery, Brighton.
2014 Wingham, I., ‘Touching Air – An Architectural Scenographic Encounter’, Architectural Design Research Symposium Venice 20-21 November 2014, Venice, Conference Proceedings book, (eds.) Smitheram, J. Moloney, J.,and Twose, S., ISBN 978-0-475-12415-9.
2013 Wingham, I., ‘Drawing Performance: Laszlo Moholy-Nagy ‘Score Sketch for a Mechanical Eccentric’ in Knowing (by) Designing, Verbeke, J. and Pak, B. (eds) conference book on design research in architecture, design, arts and music, 22-23 May 2013, Sint Lucas School of Architecture, Brussels, Belgium Faculty of Architecture KU Leuven, ISBN: 9789081323864.
2013 Wingham, I., ‘Architecture’s Exodus and the Role of Dissident Practitioner’, paper published in ‘Architecture and Culture’ peer review journal, Bloomsbury publishing, Vol 2 Issue One 01/2014. ISBN 978 1 4725 7957 7/ ISSN: 2050-7828.
2013Wingham, I., (editor) Mobility of the Line: Art, Architecture, Design book, Birkhauser Zurich, 2013, ISBN 978-3-0346-0824-4. Book brings together world-known experts in the field and emerging current artistic, design and architectural experimentations on what is the interdisciplinary context of drawing and the line, and what may be their applications in and across eligible subject areas.
2013 Wingham, I., ‘Line’s Contingencies’, Introduction paper for Mobility of the Line: Art Architecture and Design book, published. Print only ISBN 978-3-0346-0824-4.
2013 Wingham, I., ‘Mediating Lines’, paper and practice-led work, for Mobility of the Line: Art Architecture and Design book, published. Print only ISBN 978-3-0346-0824-4.
2013 Wingham, I., ‘Narratives and Drawings – Myth, Metaphor and Spatial Occupation’, in Occupation: Negotiations with Constructed Space, University of Brighton, limited edition, ISBN: 978-1-905593-73-6.
2012 Wingham, I., ‘Material Immateriality, Moholy-Nagy’s Search for Space’, chapter for book Camera Constructs: Photography, Architecture and the Modern City, Ashgate Publishing. ISBN 978-1-4094-2145-0.
2011 Wingham, I., ‘In/Of/Through/Out – A Conversation on the Line, Dr Ivana Wingham with Monika Grzymala’ chapter in a book Up There Up Here, published by Monika Grzymala for the Dian Woodner Collection, NY in collaboration with Marian Goodman Gallery, limited edition, Oktoberdruck AG, Berlin.
2010 Blueprint article about exhibition ‘Temporary Urban Garden’ as a part of a series of research-through-practice installation projects exploring the design of public spaces, No Place Like Home, Blueprint, No 286, January 2010, in the article ‘Who will Change Architecture and Design in 2010’.
2009 Solo Exhibition ‘Temporary Urban Garden’ (November 2009) as a part of a series of research-through-practice installation projects exploring the design of public spaces, No Place Like Home, I instigated, participated and organized in collaboration with Scott Brownrigg. The initiative and my exhibition attracted large wide-range public between 2 – 13 November 2009.
2009 Collaborative Public Space Installation ‘Sustainable Provocations: Urban Eco Bus System proposals for London – A Bus Stop in a Wardrobe?’ in London and Symposium at the RIBA Bene CETLD room about collaborative project with MA students at Brighton University and Estonian fashion designer Reet Aus
2008 Solo Exhibition of a multi-media installation project ‘A Temporary Urban Garden: Teasing Adonis’, at The Byzantine and Christian Museum, Athens, Greece 21-29 November 2008.
2007 Wingham, I., ‘Creative process of design: conversation and traveling between concepts and techniques’, paper published in ELIA Teachers’ Academy 2007, July 2007, Brighton, ISBN: 978-1-905593.
2007 My project ‘Epigrammatic Conversation with Klee on line endings: a garden project' was a short-listed practice-led entry (from a field of 97) for the Innovation Awards of the University of Brighton, and has been presented at the Innovation Awards Ceremony.
2007 ‘Walking Feeling’ part of Group Exhibition of the practice-led work 1-12 October in Lume Gallery as a part of The Art of Research, connections between research and art/design practices, University of Art and Design, Helsinki, 1-3 October 2007.
2004 Wingham I., ‘Taking a line for a walk’ - within Paul Klee’s modernist practice, LIMITS: proceedings from the 21st ANNUAL CONFERENCE of the SAHANZ, ed. H. Edquist and H. Frichot, Melbourne, 2004, Vol 02, pp. 539-544. ISBN 0-646-44062-4.
2004 ‘Graduation Ceremony Design Competition’, UCL, London, - 1st Prize, with D. Anderson, C. Patakos;
2004 Wingham I., ‘The Primitive nature of a brushstroke’, Primitive Abstracts, ed. J. Odgers, F. Samuel, A.Sharr, Welsh School of Architecture, Cardiff, 2004, ISBN 1-899895-35-3, & arq. Vol. 8 no 1. 2005, pp 1-4.
2002 Wingham I., ‘Visceral Porosity’, FES London Book, O. Yapimevi Istanbul 2002, ISBN 975-6756-01-2.

BOOKS:
In section Academic Publications.

ACCOLADES:
From 2012-14 I have been Invited Professor for Ph.D. by Design and Master in Architecture assessment at the Faculty of Architecture, University of Belgrade; Recently invited keynote, papers and presentation include: Shortlisted competition presentation A Desk for Mark, Architectural Association, (June 2018); Invited speaker and respondent for Asemic Architecture – Design Doodle, debate at the Architectural Association (May 2017); Invited keynote for In the Jaws of Education, Case: Architecture, Belgrade International Architecture Week (May 2016); Invited Session Chair for The Visual and The Verbal conference, Brighton (June, 2015), The Lived Line: Mobility in Current Visual and Material Practices, Slade School of Art, UCL, March 2015; Invited keynote for Fundamentals of Space: Line and Colour (Saturated Space VI) Symposium, Venice Biennale Sessions, and The Drama of Colour: Saturated Space V) Symposium, London, Architectural Association (both 2014); Invited speaker for the Architecture Utopia Realism, International Scientific Conference, Oct. 2013, Faculty of Architecture, University of Belgrade. Speakers include Reinhold Martin, Keller Easterling, Fritz Neumeyer et al. (2013); Refractions and Reflections, (Saturated Space III) event taking place as part of Love Architecture Festival (2012) Aid and Abet gallery, Cambridge, UK; Invited reviewer and conference panel member for The Intercultural Studio, Studio Cultures, Faculty of Architecture and Spatial Design, London Metropolitan University, UK (2012);

LANGUAGE SKILLS:
English and Serbian fluent and French beginner.

COMPUTER LITERACY:
Drawing software: Rhino and Photoshop Software Intermediate Level.

COURSES, SEMINARS AND WORKSHOPS::
In section Academic Publications.

SYMPOSIUMS AND ACADEMIC CONFERENCES::
In section Academic Publications.

MEMBERSHIPS & ASSOCIATIONS:
Previously full member of Architectural Association, Royal Institute of British Architects and Architects Registration Board. Currently member renewed on yearly basis.

JURY MEMBERSHIPS:
Invited Keynote as International Advisory Team Member for The Art of Research: Research Narratives, symposium at Chelsea College of Art, London, UK (2008); Invited session chair for postgraduate conference Telling Places: Narrative and Identity in Art and Architecture 
Research Spaces IV Dec. 2007
, UCL (2007); Invited International workshop moderator for The Art of Research, connections between research and art/design practices, University of Art and Design, Helsinki, (2007); Invited International workshop leader for Urban Memory and Landscape Summer School, Tongji University, Shanghai, China, (2007); Invited international reviewer for Intersections, Beginning of Design Education and Other Fields of Inquiry, 22nd National Conference on the Beginning of Design Student, Iowa State University, Ames, USA, April 6-8, (2006) ; International Juror with E. Zenghelis, Z. Hadid, H. Rashid et al., ‘International Competition –Ephemeral Structures in the city of Athens’, Cultural Olympiad, Athens, Greece (2003). Peer Review Journals and Books External reviewer (2010-present) for The Journal of Architecture (Taylor & Francis), Architectural Histories (EAHN), Revue Intermédialités / Intermediality, (Université de Montréal) EAHN, RIBA Publishing Books, SPATIUM (De Guyter), external reviewer for various UK and international conferences. Invited Design Unit/Studio critic include Architectural Association, The Bartlett, Brighton, Manchester, Leeds, Oxford Brookes, Leicester, Liverpool, Edinburgh, Sheffield.

CLIENTELE:
2022 Airy WT – Furniture/Non-furniture, detailed design of a large bespoke worktable in which no elevation of the table the same. Design research involved in this project presents object as architecture. The possibility to be assembled and reassembled created a need for its prototyping and manufacture that utilise ecological methods of glued and pressed veneers and laser cutting of metal sheets manually welded. Completed.
2019 on-going Architect as solo practitioner for top floor flat, Theberton Street N1, includes design project of complete renovation, (Phase 1 includes all design drawings, permitted development, building control permission). Design research exploration of Holding and Hollow Wall utilising colour, and bespoke made Bambi Table. Phase 2 involves new design drawings of roof extension and submission of planning permission and conservation area consent planned for in December 2021/January 2022).
2018 on-going Architect and initiator of bringing neighbourhood together for three flats extension, Florence Street, N1 (in collaboration with Obiter Architects) in which individual extensions in the context of prominent corner are seen as specifically unified urban building for conservation purposes. Pre application suggested new alterations to proposal before submitting final planning permissions and conservation area consent for all three flats (work in progress for 2022).
2016/17 Architect/ Solo Practitioner for Flat Project renovation, London N1 (including design drawings, permitted development, building control permission, 1st phase completed.
2015/16 Architect/ Solo Practitioner for House Project renovation and spatial extension, London N1 (including design drawings, permitted development, building control permission, completed). I explored how in domestic setting expected rules of engagement could become opened for speculation: Delayed In/Slip Out, and Indeterminate Assembly Table developed ways of drawing walls that would suggest a possibility of being made into or being drawn onto by working with bodily, material or environmental predictions so to extend spatial layering through unconscious time: Holding Wall, Hollow Wall and Holding Lines.

WEB SITE:
ivanawingham.com;@ivanawingham

PORTFOLIO URL:
ivanawingham.com;@ivanawingham

REGISTRATION DATE:
2022-11-07 16:01:08

COUNTRY/REGION:
Great Britain

ACCOUNT TYPE:
Professional

Awards received by Ivana Wingham


Airy Office Desk

A' Design Award Winner for Office Furniture Design Category in 2022
Ivana Wingham for Ivana Wingham



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