New York Dream Performing Art Studio by Guan-Ying Lee, Chia-Yin Hsieh and JunXian-Lin

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DESIGN DETAILS
DESIGN NAME:
New York Dream

PRIMARY FUNCTION:
Performing Art Studio

INSPIRATION:
Our Client studied drama in New York in his 20s, overcoming the hardships of strangers in another countries After returned to his hometown Taipei, decided to set up a drama studio with passion. The designer captured the memories of New York image ,and collected those elements into the corners of the studio. Bring New York through the space, the enthusiasm of the owners is passed on to the dreams of the new generation.

UNIQUE PROPERTIES / PROJECT DESCRIPTION:
This is an totally personalized performing art studio for our Client, who wants here to be a open place for students and teachers communicate openly ,with his own heart ,the design was throw back to the New York Scene that reminds him don't forget the motivation of art, and designers also solve the problem that original house's disadvantages .

OPERATION / FLOW / INTERACTION:
The classroom attempts to focus the attention on the emotions and strengths conveyed by the people, remove the color interference, let the users focus on their own training in the space, and devote themselves wholeheartedly; in this space carrying the dream stage, communicate and dialogue with each other.

PROJECT DURATION AND LOCATION:
2018, Taipei , Taiwan

FITS BEST INTO CATEGORY:
Interior Space and Exhibition Design

PRODUCTION / REALIZATION TECHNOLOGY:
By using white walls, black screens, mirrors, and different lighting modes, we want to decrease the affection of the color, By using glass penetration, the space barrier is invisible, and it also solve the sense of urgency of the space. And by adjusting the aisle to the central axis, people can easily accessing the space, and let their energy of creation flow and spread throughout the entire studio.

SPECIFICATIONS / TECHNICAL PROPERTIES:
128 square meters .

TAGS:
Performing art, Studio, New York, Movie scene, Classroom

RESEARCH ABSTRACT:
By using white walls, black screens, mirrors, and different lighting modes, we want to decrease the affection of the color.

CHALLENGE:
The studio was originally a 40-year-old house. The floor height was subject to conditions and pressure. The comfort and mobility of many people were taken into consideration. According to the original layout, the spaces were closed to each other, and the lighting and ventilation in the middle section were not ideal. By using glass penetration, the space barrier is invisible, and it also solve the sense of urgency of the space. And by adjusting the aisle to the central axis, people can easily accessing the space, and let their energy of creation flow and spread throughout the entire studio.

ADDED DATE:
2018-08-28 10:01:41

TEAM MEMBERS (2) :
GUAN-YING LEE and CHIA-YIN HSIEH

IMAGE CREDITS:
Hey! Cheese

Visit the following page to learn more: https://www.allness.com.tw/


CLIENT/STUDIO/BRAND DETAILS
NAME:
Quanshi International Interior Design Co., Ltd.

PROFILE:
Allness Design through the designer's artistic perspective, the material taste into space, from the external environment in-depth user's heart. Not overly decorated as a space appearance, focus on thinking space connotation, because the escape from the appearance to explore the essence, see the mansion at the bottom of a good house genes, beautiful appearance, but in fact extracted the soul of space and people, so that the strength of the space described in-depth texture, is the charm of light and luxury, showing the attitude of life and the pursuit of life. Through the interaction of space with people, we find ourselves, cherish each other, this is the nature of design, our original intention.



NOMINATION DETAILS

New York Dream Performing Art Studio by Guan-ying Lee, Chia-yin Hsieh and Junxian-lin is a Nominee in Interior Space and Exhibition Design Category.

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AWARD DETAILS

New York Dream Performing Art Studio by Guan-ying Lee, Chia-yin Hsieh and Junxian-lin is Winner in Interior Space and Exhibition Design Category, 2018 - 2019.



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