DESIGN NAME: Langyue Merchants Center
PRIMARY FUNCTION: Office
INSPIRATION: Human perception and experience are closely related to the indoor environment. By reducing external decorative elements, the space is endowed with more spiritual connotation and permanent vitality, reflecting a deep sense of space beauty.
UNIQUE PROPERTIES / PROJECT DESCRIPTION: Which weakens the boundary of the area through the glass material and preserves the independence of the space. The design of the three-dimensional semi-empty traffic staircase not only allows you to see the split-level hollow structure inside the building but also enriches the spatial hierarchy and interesting experience. The basic geometric form is used to extend the architectural form to the interior, full of the power and beauty of the geometric structure. Using the concept of deconstruction, awakening a special aesthetic consciousness, translating abstract deconstruction into simple and shocking geometric forms, dismantling and displacing them, to achieve the most comfortable space experience, and to appear in a new visual sense.
OPERATION / FLOW / INTERACTION: -
PROJECT DURATION AND LOCATION: Completed with Zhengzhou in 2019
FITS BEST INTO CATEGORY: Interior Space and Exhibition Design
|
PRODUCTION / REALIZATION TECHNOLOGY: -
SPECIFICATIONS / TECHNICAL PROPERTIES: -
TAGS: public space
RESEARCH ABSTRACT: -
CHALLENGE: The project uses flowing and suspended spatial forms to create diverse experiential scenes and interactive feelings, and organizes new forms on the original architectural framework, giving people a new sense of vision and thinking, and extending and expanding the original floor heights. It breaks through the boundary between the height of the floor and the boundary between the blocks, giving the space a brand-new experience of moving lines, and giving the simple space a rich multi-dimensional feeling.
ADDED DATE: 2021-06-17 06:23:05
TEAM MEMBERS (3) : Creative Director:Zhanqiang Li, Designer: Shijie Li and Designer:Fei Yu
IMAGE CREDITS: Zhanqiang Li, 2021.
|