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Interview with Matt Arquette |
Home > Designer Interviews > Matt Arquette |
Editor Frank Scott (FS) from DesignPRWire has interviewed designer Matt Arquette (MA) for A’ Design Award and Competition. You can access the full profile of Matt Arquette by clicking here.
FS: Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
MA: From my earliest years, furniture design has held a special place in my heart. As a child, I was captivated by the intricate construction of our family sofa, and this curiosity sparked a deep and lasting fascination with the world of design. This passion has coursed through me for several decades now, guiding my educational and professional pursuits. After obtaining my Bachelor of Arts in Furniture Design, I embarked on a creative journey that has spanned over 20 years. This incredible voyage has not only allowed me to refine my skills but has also shattered any preconceived notions of artistic limitations. Each project I've been privileged to work on has contributed to the nourishment of my creativity and the strengthening of my love for design. Throughout my career, I have been blessed with the opportunity to collaborate on extraordinary projects and encounter remarkable individuals who share my passion. The diverse range of experiences has enriched my perspective and deepened my appreciation for the transformative power of design. In the present day, I relish the flexibility to engage in a multitude of enticing projects. The ever-evolving landscape of design provides endless possibilities for exploration and innovation. It is an exhilarating time in history to be a creator, and I eagerly anticipate the rewarding journey that lies ahead. It is truly gratifying to reflect on how my childhood curiosity around our family sofa has grown into a lifelong dedication to furniture design. The joy and fulfillment I derive from creating functional and aesthetically pleasing pieces continue to drive me forward, pushing the boundaries of my artistic expression.
FS: Can you tell us more about your company / design studio?
MA: My design studio is a reflection of my imagination and creative flow. While it is primarily a one-person operation, I have established fixed business addresses in both the UK and Shenzhen, China. Having a studio in Shenzhen provides me with a unique platform to explore materials and engage in imaginative projects with fewer budget constraints. It allows me to push the boundaries of design and bring unconventional ideas to life. Over the past 20 years, I have honed my creativity and approach to new projects by navigating a wide spectrum of client requirements. From concept to implementation, I have gained invaluable experience, time, and the ability to tackle challenges head-on. More than just elevating the world of furniture, my ultimate aim is to contribute to the future of creative direction. This ambition fuels my passion and drives me to delve deeper into projects that I truly love. In summary, my design studio is a space where my imagination takes flight. With a presence in the UK and Shenzhen, I have the freedom to explore innovative materials and work on imaginative projects. With two decades of experience, I am committed to pushing the boundaries of design and making a meaningful impact on the future of creative direction. Feel free to adjust and personalise the response to accurately represent your own design studio and its goals.
FS: What is "design" for you?
MA: My design studio is a reflection of my imagination and creative flow. While it is primarily a one-person operation, I have established fixed business addresses in both the UK and Shenzhen, China. Having a studio in Shenzhen provides me with a unique platform to explore materials and engage in imaginative projects with fewer budget constraints. It allows me to push the boundaries of design and bring unconventional ideas to life. Over the past 20 years, I have honed my creativity and approach to new projects by navigating a wide spectrum of both client requirements and my own directions. From concept to implementation, I have gained invaluable experience, time, and the ability to tackle challenges inspirationally. More than just elevating the world of furniture, my ultimate aim is to contribute to the future of creative direction. This ambition fuels my passion and drives me to delve deeper into projects that I truly love. In summary, my design studio is a space where my imagination takes flight. With a presence in the UK and Asia, I have the freedom to explore innovative materials and work on imaginative projects. With over two decades of experience, I am committed to pushing the boundaries of design and making a meaningful impact on the future of creative direction.
FS: What kinds of works do you like designing most?
MA: One of my favourite mediums to work with / design for is leather upholstery. I have dedicated over 22 years to this area, and I still find it incredibly exciting to explore the possibilities of thread and leather and how they can be manipulated to create beautiful forms. Sketching for leather design and upholstery is a particular joy for me. The softness and maneuverability of the forms allow for endless creative exploration. There are infinite ways to manipulate and shape the leather, and I find it truly captivating. Beyond the artistic aspect, I also appreciate the construction and reality of upholstery leather. The restrictions it presents can be fascinating to challenge, and the structural drawings of frames are works of art in themselves. Upholstery furniture encompasses numerous elements that make it both the most challenging and the most rewarding for me to create. In summary, leather upholstery holds a special place in my heart. The soft and malleable nature of the material, combined with the intriguing challenges it presents, makes it a medium that continuously inspires and satisfies my creative drive.
FS: What is your most favorite design, could you please tell more about it?
MA: Selecting a single favourite design is an immense challenge for me. Design surrounds us in countless forms and manifests in various ways, continuously inspiring and captivating our imagination. Each day, we encounter numerous shapes, forms, and creations that fuel our creative drive. Design encompasses a vast spectrum of both man-made and natural beauty. From architectural marvels to intricate patterns found in nature, there is an infinite array of designs that evoke awe and admiration. The diversity and richness of the design world make it impossible to pinpoint a single design that can encapsulate its entirety. Certain shapes, forms, and creations may resonate with me personally, stirring my imagination and inspiring me in different ways. However, I firmly believe that the world of design is a tapestry woven with countless threads of creativity, craftsmanship, and innovation. Rather than singling out a specific design, I embrace the collective beauty and inspiration that the design world offers. Each design, whether grand or subtle, holds its own unique significance and contributes to the larger tapestry of creativity and expression. In summary, it is impossible for me to choose a single favourite design. The world of design is a vast and diverse landscape, comprising an amalgamation of shapes, forms, and creations that evoke wonder and fuel the imagination. It is through this collective mosaic that the beauty and essence of design truly shine.
FS: What was the first thing you designed for a company?
MA: The first thing I designed for a company as Professional / Paid was a leather scroll arm sofa with a transitional style. At the time, I wanted to challenge the traditional UK expectation of a scroll arm design and infuse it with a more modern, youthful aesthetic. Being younger and driven by self-expression, I strived to create a piece that stood out and deviated from commercial norms. The sofa was crafted in a tan leather, taking inspiration from the renowned brand Hermes. To add visual interest and detail, I incorporated thick contrasting tonal 8 metric thread as a design element. This stitching technique served as both a decorative feature and a way to highlight the clean lines of the sofa. Reflecting on this memory, it brings back a sense of nostalgia and the excitement of my early design career. It was a formative experience that allowed me to explore my creativity, challenge conventions, and begin shaping my unique design approach.
FS: What is your favorite material / platform / technology?
MA: Leather is, without a doubt, my most favorite material. I can vividly recall the very first day I stepped foot into a leather upholstery furniture manufacturer's workshop—the smell that greeted me was nothing short of sensational. The rich, aromatic scent of leather enveloped me, creating an unforgettable sensory experience. From that moment on, I was captivated by its allure. To me, leather is more than just a material—it is a world of sensations waiting to be explored. The way it reacts to different forms and shapes is simply incredible. It effortlessly molds and maneuvers itself, twisting and contouring to create stunning designs. Its inherent flexibility and stretch open up endless possibilities for experimentation and creativity. What fascinates me most about leather is its character and personality. Each piece of leather carries its own unique traits, markings, and history, lending a sense of individuality to every upholstered creation. It is a material that possesses a fluidity that allows me to express my creativity in ways that are both inspiring and limitless. In fact, my admiration for leather runs so deep that I even wrote a book about it titled "Sitting on Cows: Our Love for Leather." Through this book, I sought to share my understanding and dedication to this incredible material, delving into its history, craftsmanship, and the profound impact it has had on the world of design. Leather, to me, is a source of constant inspiration and fascination. Its sensory richness, its ability to transform and evolve, and its undeniable charm make it an everlasting love affair. It is a material that continues to ignite my passion and drive me to explore new frontiers of design.
FS: When do you feel the most creative?
MA: I find that my creativity flourishes when I can keep my mind continuously engaged in thinking, working, or imagining. I have a relatively short attention span, and I embrace filling every moment with meaningful activities. Even when waiting in a queue, my mind is constantly exploring new ideas and possibilities. Over time, I have learned how to channel and focus my creativity for maximum effect when needed or desired. I have discovered a few key ingredients that help me enter a state of heightened creativity. For me, it often involves setting the right ambiance. I enjoy indulging in a glass of wine, a splash of whiskey, or even a comforting pot of tea. The choice of beverage adds a touch of relaxation and inspiration. Appropriate music plays a crucial role in setting the desired mood and zone for my creative endeavors. Whether it's soulful melodies, energizing beats, or calming tunes, the music I select helps guide my thoughts and emotions. On special occasions, I find that a leisurely cigar can help relax my senses and further enhance my creative flow. There's something about the ritual and sensory experience of enjoying a cigar that unlocks new realms of inspiration for me perhaps its the ever changing forms the smoke takes. To support my creative process, I rely on a few essential tools. A big stack of white paper acts as a blank canvas for my thoughts and ideas. I prefer using fine liner pens with a 0.2 Uni Pin tip to sketch and jot down my concepts. These precise tools allow me to capture the nuances of my imagination with clarity and precision. For the ultimate creative experience, an uninterrupted day of mental exploration is truly invaluable. Having dedicated time to immerse myself fully in my thoughts and ideas, without external distractions, enables me to delve into the depths of my creativity. In summary, I feel most creative when my mind is continuously engaged in meaningful activities. By honing my creativity and focusing it as needed, I embrace a lifestyle that nurtures and celebrates the creative process. From the right ambiance with a favourite beverage and music, to essential tools and uninterrupted time, I create an environment where my imagination can thrive.
FS: Which aspects of a design do you focus more during designing?
MA: When it comes to designing, I place significant emphasis on various aspects that contribute to the overall success of a design. The nuances of small details hold a special fascination for me. I believe that it's often the intricate subtleties that can elevate a design from ordinary to extraordinary. By meticulously considering every small element, I strive to create a cohesive and visually captivating composition. The balance of shapes is another crucial aspect I focus on during the design process. Finding the right equilibrium between different forms and ensuring their harmonious coexistence is essential to create a visually pleasing and well-rounded design. I enjoy exploring the interplay between curves and angles, exploring how they interact and influence the overall aesthetic. The relativity of forms is yet another consideration that drives my design approach. How different elements relate to one another, both visually and conceptually, can greatly impact the overall impact of a design. I carefully analyze the connections and relationships between forms, seeking to create a design that tells a cohesive and meaningful story. I also find myself drawn to the exploration of duplication and proportion in different positions or locations. Experimenting with scaling, repetition, and placement of elements allows me to create dynamic and visually engaging designs. It's through this process that I discover new perspectives and push the boundaries of my creativity. Challenging myself through restrictions is a crucial aspect of my design philosophy. Rather than viewing limitations as obstacles, I see them as opportunities for innovation. Embracing constraints, whether they be budgetary, material-related, or functional, forces me to think outside the box and find innovative solutions. It's through these challenges that I often unearth the most inventive and unique design concepts. In summary, my design focus revolves around the nuances of small details, the balance of shapes, the relativity of forms, exploration of duplication and proportion, and challenging myself through restrictions. By carefully considering these aspects, I strive to create designs that are visually captivating, conceptually coherent, and push the boundaries of creativity.
FS: What kind of emotions do you feel when you design?
MA: Wow, that's an excellent question. When I design, I experience a whirlwind of emotions. The key, I believe, is to embrace and harness these emotions, allowing them to fuel my creative drive. Sometimes, I intentionally tap into emotions like anger or resentment, using them as a catalyst to push myself further. They ignite a sense of determination and a desire to prove something through my work. On the other hand, moments of happiness and success bring forth a different kind of emotion. The sheer joy and satisfaction of seeing a design come to life or receiving positive feedback can be incredibly uplifting. It's a reminder of the impact and value that my creations can have on others. Love, lust, and passion also find their way into my design process. These intense emotions infuse my work with energy and vitality. They allow me to create designs that exude a sense of passion and evoke deep emotional connections with the viewers. In truth, I'm not sure if there is a single emotion that encapsulates the entirety of my design experience. It feels like a symphony of emotions, a whirlwind of thoughts and feelings that flow freely through my mind. It's the liberation to express myself in a way that words alone cannot convey. Designing is a deeply personal and immersive process, where emotions intertwine and intertwine with the creative journey. It's through this emotional tapestry that I'm able to breathe life into my designs, infusing them with a depth and resonance that resonates with others. In summary, the emotions I feel when I design range from the intensity of anger and determination to the joy of success, from the power of love and passion to a sense of freedom and liberation. Each emotion plays a role in shaping my creative process, allowing me to create designs that are infused with a unique energy and emotional resonance.
FS: What kind of emotions do you feel when your designs are realized?
MA: When my designs are realised and brought to life, a rush of emotions floods through me. My heart races with a mix of nervousness, excitement, and a hint of anxiousness. It's a pivotal moment where the culmination of my creative vision takes physical form and enters the world. As I witness my design materialise before me, I feel a profound sense of joy and anticipation. I eagerly examine every detail, questioning whether the realization matches the vivid image I had envisioned during the design process. It's a moment of truth, a moment where I evaluate if the essence and integrity of the design have been faithfully captured. There's a unique sensation that accompanies this initial encounter with the realised design. It's like holding a precious creation in my hands, unsure whether to cling onto it tightly or release it to the world. Will I let it go and allow it to find its place, to soar and be appreciated on its own? It's a delicate balance between nurturing and setting free. In that moment of first sight, as the design takes its first breath of existence, I am filled with a mix of emotions—awe, satisfaction, and a touch of vulnerability. It's a testament to the power of creativity and the transformative journey from a mere idea to a tangible reality. The realisation of a design marks the culmination of countless hours of dedication, passion, and hard work. It's a moment of pride and accomplishment, knowing that my design has transcended the confines of my imagination and ventured into the world to make its own impact. In summary, when my designs are realised, I experience a range of emotions—from nervous excitement and anticipation to a sense of awe and vulnerability. It's a profound and transformative moment where my creation comes to life, leaving its mark on the world, and embarking on its own journey of discovery and appreciation.
FS: What makes a design successful?
MA: A design to me is successful when it meets certain criteria and evokes a sense of satisfaction within me. It goes beyond the external validation or recognition from others. For me, success lies in the intimate connection I have with my design and the fulfilment I experience when it meets my own expectations. One crucial aspect that contributes to the success of a design is the level of challenge it presents. When I push the boundaries of my creativity, exploring new concepts, experimenting with unconventional approaches, and questioning traditional norms, I feel a sense of growth and accomplishment. When a design has been sufficiently challenged by my own standards, it signifies a personal triumph. Furthermore, success is achieved when I reach a point of contentment with the design. It's a moment when I step back and feel a deep sense of satisfaction and resonance with the final outcome. When I can confidently say that the design is ready, that it has gone through rigorous iterations and refinements, and that it captures the essence of my vision, I consider it a success. The realisation of success doesn't necessarily rely on external factors such as commercial acclaim or widespread popularity. While recognition from others can be gratifying, the ultimate measure of success lies within myself. When I have poured my creativity, passion, and expertise into a design, and I am content with the result, that, to me, signifies the essence of success. In summary, a design is successful when it has been challenged enough, when I have pushed myself creatively, and when I am satisfied that it is ready for the world. The feeling of contentment and the personal fulfilment I experience become the yardstick by which I measure success. External validation may come, but the true success lies in the realisation and satisfaction of my own creative vision.
FS: When judging a design as good or bad, which aspects do you consider first?
MA: Design is a subjective realm where personal preferences and individual perspectives come into play. When evaluating a design, I firmly believe in avoiding the notion of labelling it as inherently "bad." Instead, I approach designs as diverse creations that may evoke different reactions and resonate with various individuals in unique ways. This understanding forms the foundation of my assessment process. In my evaluation, I prioritise several key aspects. Firstly, I delve into the depth of thought and consideration that underlies the design. A well-crafted design reflects meticulous thinking, conscious decision-making, and a profound understanding of its purpose and intended audience. Moreover, I closely examine the challenges that were overcome during the design journey. Designs that demonstrate innovative solutions, the ability to navigate constraints, and a knack for problem-solving exhibit a commendable level of skill and creativity. The artistry in form and shape holds significant weight in my judgment. I look for balanced proportions, captivating compositions, and an aesthetic appeal that showcases the designer's unique vision and expression. Furthermore, I consider the experiential aspect of the design. Whether it's a tangible product, an immersive environment, or a digital interface, I assess how well the design engages and resonates with users. Factors such as functionality, usability, and emotional connection contribute to the overall quality of the design experience. However, it's crucial to acknowledge that design is inherently subjective. What may be deemed exceptional by one person may not resonate as strongly with another. Instead of hastily condemning a design as "bad," I prefer to embrace its diversity and explore its unique qualities. By seeking to understand the intentions, inspirations, and thought processes behind a design, I gain a deeper appreciation for its individuality. In summary, while evaluating a design, I consider factors such as depth of thought, challenges overcome, artistry in form and shape, and the overall experience it offers. However, I firmly believe in refraining from labelling designs as inherently "bad." Design is a subjective realm where personal preferences and interpretations differ. By embracing this diversity and understanding the intentions behind each design, I foster a more holistic and inclusive perspective.
FS: From your point of view, what are the responsibilities of a designer for society and environment?
MA: From my perspective, the responsibilities of a designer extend beyond the mere creation of aesthetically pleasing objects. As a designer, I strongly believe that we have a profound duty towards society and the environment. First and foremost, we hold the responsibility to create designs that positively impact society. This means considering the needs, desires, and well-being of individuals and communities. Designs should strive to enhance people's lives, solve problems, and foster inclusivity. By empathetically understanding the diverse perspectives and experiences of others, we can craft solutions that address social issues and improve the overall quality of life. Additionally, designers have a crucial role in promoting sustainability and environmental consciousness. We must acknowledge the finite resources of our planet and work towards minimizing our ecological footprint. This involves employing sustainable materials and production processes, designing for durability and longevity, and exploring innovative ways to reduce waste and energy consumption. By integrating environmental considerations into our designs, we can contribute to a more sustainable and eco-friendly future. Furthermore, as designers, we have the power to raise awareness and advocate for important social and environmental causes. Through our work, we can spark conversations, challenge norms, and inspire change. Whether it's through creating thought-provoking installations, designing campaigns for social justice, or promoting eco-friendly practices, we can use design as a platform for driving positive impact and creating a better world. Ultimately, the responsibilities of a designer for society and the environment are multifaceted. It involves a commitment to ethical practices, social engagement, and environmental stewardship. By embracing these responsibilities, we can leverage our creative abilities to contribute meaningfully to society, foster sustainable practices, and inspire positive change.
FS: How do you think the "design field" is evolving? What is the future of design?
MA: The design field i believe is undergoing a fascinating and rapid evolution, driven by various factors that shape its trajectory and potential. Technology, including advancements in digital tools, virtual reality, and automation, plays a pivotal role in revolutionising the design process. This integration of technology opens doors to innovative solutions, greater collaboration, and accessibility. Sustainability and ethical design are gaining prominence, with a growing focus on addressing environmental challenges and finding harmonious ways to balance aesthetics, functionality, and environmental responsibility. Interdisciplinary collaboration and inclusivity are transforming the design field, as designers collaborate with experts from diverse fields and embrace a broader range of perspectives. Human-centred design approaches are becoming more prevalent, emphasising the understanding and empathy towards users' needs, emotions, and experiences. Additionally, the advent of Artificial Intelligence (AI) has a profound effect on creativity, enabling new possibilities and streamlining workflows. AI technologies contribute to the design process, expanding the boundaries of design and fostering further advancements and innovations. In summary, the future of design is shaped by technology, sustainability, interdisciplinary collaboration, inclusivity, and the integration of AI. These factors drive the evolution of design, leading to innovative solutions, positive impact, and meaningful engagement with society and the environment.
FS: When was your last exhibition and where was it? And when do you want to hold your next exhibition?
MA: My last exhibition would have been in Shenzhen in May. I showcased some of my styles and designs during that exhibition. Looking ahead, my aspiration would be to have my designs exhibited in Milan next April. Milan is renowned for its prestigious design events and exhibitions, and it would be a fantastic opportunity to showcase my work in such a vibrant and influential design hub.
FS: Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
MA: As a designer the One significant source of inspiration is the world around me, with its diverse cultures, nature's amazing beauty, and architectural /man made marvels. I find inspiration in observing everyday life, exploring different environments, i like noticing the smallest details in the most un-obvious places or things, and immersing myself in various artistic disciplines. Moreover, my extensive experience in furniture design and exploration of different materials, such as leather upholstery, have shaped my unique perspective. The nuances of small details, the balances of shapes, and the relativity of forms all influence my creative process. Challenging myself through restrictions and pushing boundaries allows me to discover new possibilities and refine my artistic vision. Furthermore, I find solace and inspiration in personal rituals. Moments of reflection, accompanied by a glass of wine or a pot of tea, allow me to delve into my thoughts and explore new ideas. The right music sets the tone and helps me get into the desired creative zone. Occasionally, I indulge in a cigar, which relaxes the senses and provides a unique sensory experience. I hope will unlock the observations i've made and transcend them. In summary, my design inspiration is derived from a multitude of sources: the world around me, the exploration of different materials, from different disciplines the challenges I embrace, and the continuous engagement with the design community. By immersing myself in these influences and nurturing my creativity through various channels, I fuel my artistic vision and strive to create designs that captivate and inspire.
FS: How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
MA: To describe my design style, I would say it is dynamic and versatile. I don't believe in confining myself to a single style or approach. Instead, I embrace a range of genres and areas within design, allowing me to explore various creative avenues. My design style could be best characterised as "design styling," where I seamlessly manoeuvre through different forms, shapes, and aesthetics. One aspect that has influenced my exploration of design styling is my experience working on freelance projects. It has allowed me to adapt to different client preferences and project requirements, further expanding my repertoire. Within my design style, there is a distinctive handwriting that can be associated with upholstery. I have a fondness for utilising softer forms and curves, particularly in relation to upholstery fabric. I find joy in creating designs that embody fluidity and roundness, avoiding rigid and overly structured elements. The main characteristics of my design style revolve around organic elements and the manipulation of forms. I draw inspiration from nature and the captivating shapes it presents. Whether it's the intricate patterns of leaves or the mesmerizing forms of sea creatures, I am fascinated by the infinite possibilities for shape and form. Combining these organic influences with mathematical elements adds another layer of creativity and stretches the boundaries of design. Overall, my approach to design is to embrace the beauty and diversity of nature, incorporating fluidity and rounded shapes. By combining these elements with functional precision, I strive to create designs that capture the imagination and push the boundaries of creativity.
FS: Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
MA: I currently reside in the United Kingdom, but I also spend a significant amount of time in Shenzhen, China. Living in these two culturally diverse countries has greatly influenced my design process and outlook. The cultural heritage of my country, Britain, has undoubtedly left a mark on my designs. I have been exposed to a wide range of design styles, from traditional English aesthetics to contemporary and modern approaches. This cultural backdrop has allowed me to incorporate elements of both tradition and innovation into my work. I strive to create designs that pay homage to the rich heritage of my country while also embracing new and progressive ideas. One of the pros of living in my country is the exposure to a diverse range of design influences. I have access to historical landmarks, museums, and art galleries that offer a wealth of inspiration. Moreover, the multicultural nature of the UK provides opportunities to interact with people from various backgrounds, fostering a rich exchange of ideas and perspectives. On the other hand, there can be challenges in designing while living in a culturally rich country. Striking a balance between tradition and innovation can be a delicate task, as there may be expectations or preconceived notions about certain design styles. However, I see this challenge as an opportunity for creative exploration, pushing boundaries, and reinterpreting traditional elements in fresh and exciting ways. In addition to my experiences in the UK, my time spent in Shenzhen, China, has also greatly influenced my design approach. The dynamic and rapidly evolving nature of Shenzhen's design scene has exposed me to new ideas, materials, and technologies. This cross-cultural exposure allows me to incorporate diverse perspectives into my designs, resulting in a unique fusion of influences. Overall, living between two contrasting countries has broadened my creative horizons and provided me with a rich source of inspiration. It allows me to approach design from different angles and infuse my work with a global perspective. The combination of cultural heritage and exposure to diverse influences fuels my imagination and drives me to explore new avenues in design.
FS: How do you work with companies?
MA: When collaborating with companies, I engage in various formats and approaches depending on the project and the company's specific needs. Here are some of the ways I work with companies: 1. Project Basis: In some cases, I undertake large-scale projects where I design and create furniture or interior settings for multiple house rooms or environments. These projects may involve designing and producing a range of furniture pieces, such as beds, sofas, or upholstery, tailored to the specific requirements of the company. 2. Commissioned Designs: Companies may approach me with specific design needs or ideas that they want to bring to life. In such cases, I work closely with them to understand their vision and provide design solutions that align with their brand identity and desired direction. This could involve creating custom products, developing unique design concepts, or refining existing designs to meet their requirements. 3. Design Consultation: As a design consultant, I collaborate with companies to develop their brand DNA, define their design language, and create cohesive design strategies. This involves understanding their target market, analyzing industry trends, and providing insights and recommendations to enhance their brand's visual identity and product offerings. 4. Freelance Design: I also engage in freelance work where I independently generate ideas, shapes, and forms for various brands. This allows me to explore different creative avenues, offer fresh perspectives, and provide innovative design solutions that align with the specific needs and objectives of the company. In summary, my collaboration with companies encompasses a range of approaches, including project-based work, commissioned designs, design consultation, and freelance design. By tailoring my services to meet the unique requirements of each company, I strive to deliver creative and strategic solutions that align with their vision and contribute to their brand's success.
FS: What are your suggestions to companies for working with a designer? How can companies select a good designer?
MA: 1. Know what you want: Before diving into the design process, make sure you have a clear idea of your goals and expectations. It's like having a roadmap for your project. The designer needs to understand what you're looking for to deliver the best results. 2. Scout and research: Take your time to explore different designers and their work. Look for someone who matches your vibe and style. Check out their portfolio and see if their past projects resonate with your vision. It's like finding the right fit for your team. 3. Keep the communication flowing: A good designer is one who listens and communicates well. You want someone who is responsive, open to discussions, and values your input. It's like having a design buddy who understands your needs and brings your ideas to life. 4. Check their design game: Take a peek at their portfolio and previous work. Does it make you go, "Wow, that's exactly what I'm looking for!"? Look for consistency, creativity, and a touch of uniqueness. You want a designer who can bring fresh ideas to the table. 5. Get along like design partners: Look for a designer who vibes with your company culture and understands your industry. They should be able to speak your language and grasp the essence of your brand. It's like finding a creative soulmate who gets you. 6. Flexibility and collaboration: Find a designer who is adaptable and willing to collaborate. Design is a journey, and you want someone who can roll with the punches and embrace new ideas. It's like having a teammate who can tackle any design challenge with you. 7. Budget and timeline: Discuss the nitty-gritty details upfront. Make sure you're on the same page when it comes to project costs and timelines. It's like making a budget plan with a friend who knows how to keep things in check. 8. Seal the deal with a handshake (or a contract): Once you've found your ideal designer, it's time to make it official. Have a clear agreement in place, covering the project scope, deliverables, deadlines, and any legal stuff. It's like signing up for an exciting design adventure together. 9. Trust your gut: Ultimately, go with your instincts. If you feel a connection with a designer and believe they can bring your ideas to life, trust your gut. It's like going with your intuition when choosing a friend—you just know when it clicks. Remember, working with a designer should be a fun and collaborative experience. Find someone who matches your style, communicates effectively, and brings out the best in your design vision.
FS: Can you talk a little about your design process?
MA: My design process is an exciting and dynamic journey that allows me to explore ideas, solve problems, and bring innovative furniture designs to life. Here's a glimpse into how I approach the process: 1. Research and Inspiration: I begin by immersing myself in research and gathering inspiration. This involves studying furniture trends, exploring different materials and techniques, and gaining a deep understanding of user preferences and needs. Market Positioning targets - trends and Goals 2. Ideation and Sketching: Armed with insights and inspiration, I unleash my creativity through sketching. I grab pen an paper and start sketching rough concepts and ideas. This hands-on approach helps me quickly visualise and iterate through different design possibilities, allowing me to explore forms, proportions, and details. 3. 3D Visualisation: Once I have a strong concept, I bring it to life using 3D visualisation tools. I create digital models that accurately represent the furniture design from different angles. This allows me to refine the proportions, explore different finishes, and evaluate how the design interacts with its surroundings. 4. Detailed Design Development: With the 3D model as a reference, I delve into the details. I refine the design, considering aspects like ergonomics, functionality, and manufacturing feasibility. I pay close attention to material selection, construction techniques, and finishes to ensure a well-crafted and visually appealing final product. 5. Feedback and Collaboration: Collaboration and feedback play a vital role in the design process. I seek input from clients, fellow designers, and potential end-users. Their insights and perspectives help me refine and enhance the design, ensuring that it meets the desired requirements and resonates with the target market. 6. Prototyping and Testing: Depending on the project scope, I may evaluate the physical prototypes to evaluate the design's functionality, comfort, and overall user experience. This hands-on testing helps identify any potential improvements or adjustments needed before moving to the production phase. 7. Finalisation and Production Preparation: Once the design is refined and validated, i will ensure we have not lost any details or intended directions.This includes collaborating with manufacturers, ensuring that the design is optimised for manufacturing processes while maintaining its aesthetic integrity. 8. Presentation and Visualisation: To showcase the final design, I create visually appealing presentations that highlight the furniture's features, materials, and finishes. This may involve rendering high-quality 3D visuals or creating mood boards to help clients and stakeholders envision the design in different settings. Throughout the entire process, effective communication, collaboration, and attention to detail are key. I strive to maintain open lines of communication with clients, manufacturers, and other stakeholders to ensure a smooth and successful design journey. By combining research, sketching, 3D visualisation, prototyping, and collaboration, I create furniture designs that are not only visually appealing but also functional, ergonomic, and reflective of user needs.
FS: What are 5 of your favorite design items at home?
MA: Good Question Nike Air Max 95's: These iconic sneakers have been a timeless footwear choice for me since 1995. The combination of innovative design, comfort, and style has made them a favorite in my collection. Rimowa Suitcase: As a lover of travel, the Rimowa suitcase stands out as a well-designed classic. Its sleek and durable construction, along with thoughtful features, make it a reliable companion on my adventures. Glencairn Whisky Glass: The Glencairn whisky glass has captivated me with its beautiful form and remarkable functionality. Its shape not only enhances the visual experience but also concentrates the aromas, allowing for a truly immersive whisky tasting experience. Lego: Lego has been a source of joy and creativity for me since childhood. The endless possibilities and the ability to build and create with my hands continue to inspire me. It's a timeless toy that sparks imagination and offers a sense of accomplishment with each construction. My Acrylic Office Furniture and Desk: I had the pleasure of having my office furniture and desk custom made, incorporating acrylic elements. The unique design of my desk, with its two layers, allows me to keep objects of inspiration below the surface while providing a spacious area for drawing and creating on the top. This personalised and functional workspace fuels my creativity and enhances my productivity.
FS: Can you describe a day in your life?
MA: A typical day in my life begins with an early wake-up, enjoying the fresh morning feeling. I start by grabbing a cup of coffee and sitting at my home desk, taking a moment to reflect on the day ahead and gather my thoughts. Afterward, I join my family for breakfast, where we discuss our plans for the day and share any dreams we had. It's important for me to have a healthy breakfast together as a family before the kids head off to school. Once my daily routine is in motion, I find myself at a desk or workspace, depending on my location. I focus on my various projects, which range across different genres. I may work on different projects throughout the day, depending on my mood and inspiration. If I'm not feeling motivated to work on a particular project, I find something else that feels appropriate for that moment and dive deep into it. I take time to reflect on my progress, where I've been, and where I want to go, and then either fully immerse myself in the creative process or set it aside for later. As the hours pass, I enjoy changing gears within the day. I find it beneficial to take a break during lunchtime and give my mind a rest. Even if I'm not sleeping, I close my eyes for about half an hour, allowing my thoughts to settle and my mind to rejuvenate. This meditative state helps me clear my mind and recompose myself, balancing out the world around me. In the afternoon, I try not to take things too seriously. I go with the flow and enjoy those last few hours of the day. If possible, around 3 or 4 o'clock, I head to the gym for a run or some training. Physical activity helps re-energize my body and keeps my mind sharp, counteracting the sedentary nature of the day. After my workout, I spend time with my children when they return from school. We engage in various activities together, such as sports, drawing, or creative projects like playing with Lego. We then have dinner as a family, cherishing the time we spend together. Sometimes, I might have dinner with clients or friends if there are engagements. Following dinner, I dedicate a couple of hours to reading, researching, or engaging in visually and mentally stimulating activities. I enjoy putting information into my brain before I go to sleep, allowing it to process and work on new ideas while I rest. Rather than watching movies or TV shows, I prefer to learn something new, expand my knowledge, or find visual inspiration through design magazines or articles. Finally, I retire for the night, ready to recharge and embark on another fulfilling day.
FS: Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?
MA: 1. Embrace your unique style: Don't be afraid to explore your own design style and let your creativity shine. Remember, you have a unique perspective that no one else can replicate. Embrace it and let it guide your work. 2. Never stop learning: Design is an ever-evolving field, so always be curious and eager to learn new skills and techniques. Attend workshops, read design books, and seek inspiration from a variety of sources. The more you know, the more you can grow. 3. Seek feedback and embrace criticism: Constructive criticism can be invaluable for growth. Don't be too hard on yourself or overly critical of your work. Remember, you are your own worst critic. Embrace feedback as an opportunity to improve and evolve as a designer. 4. Take breaks and rest your mind: Design can be intense and mentally demanding. Remember to take regular breaks and give your mind time to rest and rejuvenate. Stepping away from your work for a while can often lead to fresh perspectives and renewed creativity. 5. Manage your expectations and avoid excessive pressure: It's easy to put immense pressure on yourself to be perfect and create groundbreaking designs every time. However, remember to go easy on yourself. Allow room for experimentation, growth, and even mistakes. Give yourself permission to learn and evolve at your own pace. 6. Build a supportive network: Surround yourself with like-minded individuals who can offer support, encouragement, and valuable insights. Connect with other designers, join design communities, and collaborate with peers. Having a strong support system can make your design journey more fulfilling and enjoyable. 7. Stay true to your values: As a designer, your work has the potential to make a positive impact. Stay true to your values and let them guide your design decisions. Use your designs as a platform to address social, environmental, or cultural issues that resonate with you. 8. Believe in yourself and your abilities: Confidence plays a vital role in your success as a designer. Believe in your skills, trust your intuition, and have faith in your creative vision. Celebrate your achievements and use any setbacks as opportunities for growth. Remember, design is a continuous learning process. Enjoy the journey, stay curious, and be open to new experiences. Embrace your uniqueness, take care of yourself, and trust in your abilities. You have the potential to create remarkable designs and make a meaningful impact in the world. Keep pushing forward and never stop believing in yourself.
FS: From your perspective, what would you say are some positives and negatives of being a designer?
MA: Being a designer has its ups and downs, and from my own experience, they're all kind of intertwined. Here's a more casual take on the positives and negatives: Positives: - Fresh perspectives: As a designer, you develop the incredible ability to see things in a whole new light. It's like unlocking a secret language that connects people visually and functionally. Being able to absorb and transform the world around you into something useful, smart, or beautiful is an amazing experience. Creating stuff is a rush of ideas and inspiration. - Creative community: The design world is filled with awesome people who create not just for themselves, but for the greater good. It's a fulfilling feeling to be part of this community, where we selflessly share our talents to make a positive impact. Together, we strive to make things better and help others. Negatives: - Constantly switched on: Designing is a way of life. It's not a typical 9-to-5 job. You're always observing, analysing, and processing everything around you. While it's cool to see things differently, it can be overwhelming. Sometimes you just want to switch off and take a breather. - Information overload: There's so much information out there. It can feel like a flood of details bombarding your brain. Filtering and organising all that info can be a challenge. Your mind becomes a giant filing cabinet, and it's frustrating when you can't find what you're looking for. - Need for mental breaks: Taking breaks is essential. Being a designer means constantly being in a creative mindset, and it can be exhausting. You need those moments to step back, clear your mind, and recharge. It's like hitting a reset button to stay fresh and inspired. So, being a designer is about seeing the world with fresh eyes, creating amazing things, and being part of a vibrant community. But it also means living a consistent creative lifestyle, dealing with information overload, and knowing when to take a well-deserved break. It's a thrilling journey filled with ups and downs.
FS: What is your "golden rule" in design?
MA: My "golden rule" in design is all about balance. It goes beyond the aesthetics and properties of the design itself; it's about achieving balance in execution. Whenever I come up with a design idea, I give it some time to settle. I step back and let the creative frenzy subside. When I return to it with a calmer, more rational mindset, I assess how the design balances out. I engage in an internal debate, weighing the pros and cons, considering different perspectives. It's important to approach design with a balanced mindset, not getting carried away by the initial excitement. By taking this pragmatic approach, I ensure that the design is well-thought-out and meets both the creative vision and practical considerations. So, for me, the golden rule is all about finding balance—balancing creativity with pragmatism, excitement with rationality, and ultimately creating designs that are harmonious in their execution.
FS: What skills are most important for a designer?
MA: As a designer, one of the most important skills for me is the ability to constantly learn and relearn. In this ever-changing field, staying curious and open to new ideas is essential. I strive to always expand my knowledge and keep up with the latest trends and technologies. Creativity is at the core of my design process. I love unleashing my imagination and thinking outside the box to come up with fresh and innovative ideas. It's this creative spark that fuels my passion for design. Visual communication is another skill I value. I enjoy bringing my ideas to life through sketches, drawings, and design software. Being able to visually express my concepts helps me effectively communicate with clients and bring their visions to reality. Problem-solving is a big part of my design journey. I encounter various challenges along the way, and I embrace them as opportunities to think critically and find effective solutions. It's all about analyzing the situation, brainstorming ideas, and finding the best way forward. Attention to detail is something I pride myself on. I believe that the little things matter in design. From typography to color choices to proportions, paying close attention to these details ensures that my designs are visually cohesive and impactful. Collaboration and communication are skills I continuously work on. Being able to effectively convey my ideas, actively listen to feedback, and work collaboratively with clients and team members is crucial for successful projects. Adaptability is a trait I embrace wholeheartedly. The design world is always evolving, and I eagerly embrace new trends, technologies, and approaches. Staying adaptable allows me to grow as a designer and deliver fresh and relevant work. Time management is a skill I rely on to keep me on track. Balancing multiple projects and meeting deadlines requires effective time management and organization. It ensures that I deliver my work on time without compromising quality. Empathy and a user-centric mindset guide my design process. Understanding the needs, experiences, and emotions of the people who will interact with my designs is essential. I strive to create designs that resonate with them and make a positive impact. Ultimately, being a designer is a journey of continuous learning and growth. It's about pushing boundaries, embracing challenges, and constantly evolving my skills to create meaningful and impactful designs.
FS: Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
MA: In my design toolbox, I have a variety of tools that I rely on to bring my ideas to life. Here are some of my essentials: 1. Uni Pin FineLine Black pen: I use different sizes ranging from 0.05 to 0.5, with my go-to size being 0.2. It provides precise lines and is perfect for sketching and outlining. 2. Pentel Retractable ePencil: I have sizes 0.3 and 0.5, although I use them less frequently now as I prefer the commitment of pen. 3. Copic Markers: While I don't consider myself an expert with markers, I find them helpful in defining colors and adding emphasis to features in my designs. 4. Plastic ruler: I have a bendable ruler that allows me to examine shapes and create straight lines with ease. 5. Printing paper: I typically sketch on regular printing paper as I like to work fast and often use whatever is readily available. A4 size in landscape orientation is my preferred choice. 6. Lightbox: I have a large lightbox that I use for sketching and drawing. It provides a bright and even illumination, which helps me achieve the desired results. 7. Scotch tape: I use tape to secure my sketches and ideas, allowing me to easily organize and review them. In terms of hardware, I work primarily with Mac devices, including MacBook Pro, iMac, and iPads. I find the Mac ecosystem to be efficient and conducive to my design process. I've been using Mac since the first MacBook Pro, and I appreciate its layout, form, and overall user experience. When it comes to software, I rely on a few key applications. These include 3D Studio Max for 3D modelling, Adobe Photoshop for image editing and manipulation, Figma for UI/UX design, and iPhoto for organising and arranging my designs. Additionally, I utilise various 3D filtering systems for visual effects and enhancing the overall visual appeal of my designs. For inspiration, I enjoy exploring Pinterest. It's a fantastic platform for discovering a wide range of visuals and gathering inspiration from different sources. I also subscribe to design magazines, both in digital and physical formats, to stay updated on the latest trends and innovations. Social networking platforms like Instagram are also great for finding design inspiration and seeing what other creatives are working on. Interestingly, one of my favourite platforms for inspiration is Taboo, a Chinese online shop. It's a competitive marketplace where creatives showcase and sell their products. I find it to be a unique and diverse platform that offers a cross-section of global design. All these tools, sources of inspiration, and software contribute to my design process, allowing me to explore, create, and deliver my best work.
FS: Designing can sometimes be a really time consuming task, how do you manage your time?
MA: Managing time efficiently is crucial when it comes to design projects. Here are some strategies I use to manage my time effectively: Setting Clear Goals: Before starting a project, I define clear goals and objectives. This helps me stay focused and prioritise tasks accordingly. Breaking Down Tasks: I break down the project into smaller, manageable tasks. This allows me to tackle them one at a time, reducing overwhelm and making progress steadily. Creating a Schedule: I create a realistic schedule or timeline for each task or phase of the project. I allocate specific time slots for different activities, such as research, sketching, designing, and revisions. Prioritising Tasks: I prioritise tasks based on their urgency and importance. This helps me identify critical tasks that need immediate attention and ensures that deadlines are met. Eliminating Distractions: I minimise distractions during work hours by turning off notifications on my devices, closing unnecessary tabs or applications, and creating a dedicated workspace free from distractions. Taking Breaks: It's essential to take regular breaks to refresh the mind and prevent burnout. Short breaks allow me to recharge and come back to the project with a fresh perspective. I also make sure to include longer breaks or time off to maintain a healthy work-life balance. Flexibility and Adaptability: While having a schedule is important, I also remain flexible and adaptable to unexpected changes or revisions that may arise during the design process. I allocate buffer time in my schedule to accommodate unforeseen circumstances. By implementing these strategies, I can manage my time effectively and ensure that design projects are completed in a timely manner without compromising on quality or creativity.
FS: How long does it take to design an object from beginning to end?
MA: Designing an object from start to finish can vary in terms of time, depending on the complexity of the project and its requirements. It's hard to give an exact timeframe because each design is unique and can involve different stages and iterations. However, I can share some insights based on my experience. The design process typically involves several phases, such as research, ideation, sketching, prototyping, and refinement. These stages can take anywhere from a few days to several weeks or even months, depending on the project's scope and complexity. The time required for each phase can also vary. Research and gathering inspiration may take a significant amount of time initially, as it's crucial to understand the problem, target audience, and market trends. Ideation and sketching involve generating and exploring multiple concepts, which can be a time-consuming but exciting phase. Prototyping allows for testing and refining the design, and it can take some time to create and iterate on prototypes to achieve the desired functionality and aesthetics. The refinement phase involves incorporating feedback, making adjustments, and finalising the design details. Throughout the process, there may be revisions and iterations based on feedback from clients, stakeholders, or user testing. These iterations can extend the overall timeline. Ultimately, the duration of designing an object depends on factors like the complexity of the project, the level of detail required, the resources available, and the collaborative dynamics involved. It's important to strike a balance between efficiency and quality to ensure the final design meets the desired goals and specifications. Remember, the design process is a journey that requires creativity, problem-solving, and attention to detail. Embracing the process and allowing enough time for exploration and refinement can lead to a well-crafted and impactful design.
FS: What is the most frequently asked question to you, as a designer?
MA: As a designer, one of the most frequently asked questions I encounter is, "Where do you find inspiration?" People are often curious about the sources of inspiration that drive the creative process. They want to know what sparks ideas and influences the designs I create. Finding inspiration is a vital part of the design journey, and it varies from person to person. For me, inspiration can come from a multitude of sources. I find inspiration in nature, architecture, art, fashion, culture, and everyday objects. Observing the world around me and staying curious about different disciplines and industries helps me discover new ideas and approaches. Additionally, I often turn to online platforms like Pinterest, design blogs, and social media platforms to explore visual content and discover the latest trends and innovations. Engaging with the design community, attending conferences, and networking with fellow designers also provide valuable opportunities for inspiration and idea exchange. Ultimately, inspiration is a deeply personal and subjective experience. It's about cultivating an open and receptive mindset, being observant, and embracing diverse influences. By constantly seeking inspiration and exploring new perspectives, designers can keep their creative fire alive and bring fresh ideas to their work.
FS: What was your most important job experience?
MA: My most important job experience was right after I graduated from university and landed a design position at a then popular leather furniture manufacturers called Cristie Tyler. At that time, I was filled with enthusiasm and eager to dive into the world of design. However, my director took me aside and gave me a valuable piece of advice. He told me that I needed to gain a deep understanding of products and how they are made before I could truly excel as a designer. This led me to embark on a journey of learning about the manufacturing process and gaining hands-on experience. I spent a significant amount of time immersing myself in the production of upholstery leather furniture. I didn't just study it theoretically; I actually got my hands in and learned every aspect of the process. From upholstery techniques to crafting frames and creating detailed drawings, I had to grasp the entire furniture-making process before I could even think about designing. This experience was a crucial turning point for me. It taught me the importance of having a solid foundation and practical knowledge in the field I was designing for. It highlighted the significance of understanding materials, construction techniques, and the manufacturing process. By immersing myself in the hands-on aspects of furniture production, I gained a deep appreciation for the intricacies involved and developed a holistic approach to design. This job experience taught me that design is not just about the end result; it's about understanding the entire lifecycle of a product. It emphasised the importance of learning and continuously expanding my knowledge to become a well-rounded designer. The lessons I learned during this time have stayed with me throughout my career and have shaped the way I approach every design project.
FS: Who are some of your clients?
MA: I have the privilege of working with a diverse range of clients on various projects. While I am unable to disclose some of the projects due to confidentiality agreements and non-disclosure agreements (NDA), I can share a glimpse of my client base. In the UK, I am currently involved in commercial projects with several retailers. These projects encompass a wide range of design requirements and cater to different target audiences. Additionally, I have been collaborating with Morgan Style and Morgan Casa, renowned names in the luxury design industry, to create exceptional and exquisite designs. Recently, I had the opportunity to submit my works to DeRucci, an esteemed brand known for their high-quality furniture. I also continue to work on expanding the V6 ranges and collaborating with US Platform Sleep Designs to develop innovative sleep solutions. While these are just a few of my clients, each project brings its own unique challenges and creative opportunities. Collaborating with different brands and industries keeps me inspired and motivated to deliver outstanding designs that meet their specific needs and visions.In addition to working with various clients and brands, I am also thrilled to share that I am currently in the process of developing my own range this year. This is an incredibly exciting venture for me, as it allows me to explore my own creative ideas and bring them to life in a tangible way. Developing my own range gives me the freedom to express my unique design vision and create products that reflect my personal style and aesthetic. I am looking forward to unveiling my own range and sharing it with the world. It's an exciting journey of self-expression and creativity that adds an extra layer of fulfillment to my work as a designer.
FS: What type of design work do you enjoy the most and why?
MA: When it comes to design work, there is a particular type that I truly enjoy the most: conceptual and innovative design. I find immense satisfaction in pushing the boundaries, exploring new ideas, and challenging the conventional norms. This type of design allows me to unleash my creativity and think outside the box. Conceptual design work enables me to delve into the realm of possibilities and envision products or spaces that have never been seen before. It involves imagining how people will interact with the design, how it will enhance their lives, and how it can make a positive impact on society as a whole. The process of ideation and problem-solving excites me, as I get to unravel unique solutions and craft innovative designs that captivate the imagination. What sets conceptual and innovative design apart for me is the opportunity for experimentation and pushing the boundaries of what is considered possible. It encourages me to embrace unconventional ideas, explore new materials, technologies, and aesthetics, and constantly challenge myself to think differently. Moreover, I find fulfillment in the transformative power of conceptual design. It has the ability to inspire and evoke emotions, create meaningful experiences, and shape the future. Being part of the process that brings these concepts to life and witnessing the impact they have on people is incredibly rewarding. In essence, conceptual and innovative design allows me to fully express my creativity, explore uncharted territories, and contribute to the evolution of design itself. It is a thrilling and fulfilling journey that continually fuels my passion for design.
FS: What are your future plans? What is next for you?
MA: As I look to the future, one of my main focuses is on building and launching an exciting new range and brand. I have dedicated a significant amount of time and effort to this project, aiming to create something that will redefine furniture design and capture a whole new genre. It's a venture that I'm truly passionate about, and I'm eagerly working towards realising this vision in the near future. This project represents a culmination of my creative ideas, inspirations, and aspirations. I aim to deliver a unique and compelling collection that not only showcases my design philosophy but also resonates with people on a deeper level. I want to create pieces that are not only aesthetically pleasing but also functional, sustainable, and meaningful in their own right. Beyond this project, I also plan to continue expanding my portfolio and collaborating with a diverse range of clients and brands. I believe in the power of collaboration and the opportunity it brings to explore new design territories and create innovative solutions. By working with different clients and industries, I aim to broaden my expertise, gain fresh perspectives, and continue pushing the boundaries of design. In addition, I'm keen to stay updated with emerging trends, technologies, and materials in the design field. Continuous learning and exploration are essential for growth and staying relevant in a rapidly evolving industry. I plan to attend design conferences, workshops, and engage in professional development activities to expand my knowledge and refine my skills. Ultimately, my future plans revolve around embracing new opportunities, nurturing creativity, and making a lasting impact through design. I'm excited about the journey ahead and the possibilities that lie in creating meaningful and inspiring designs that resonate with people's lives.
FS: Do you work as a team, or do you develop your designs yourself?
MA: When it comes to developing my designs, I primarily work independently. I enjoy the process of diving into my creative space and bringing my ideas to life. It allows me to fully immerse myself in the design process, exploring various concepts and pushing the boundaries of my own creativity. However, I am fortunate to have a valuable resource by my side. My wife, who I consider to be one of the best design critics I have ever encountered. Her keen eye for detail and remarkable ability to provide honest and constructive feedback is truly invaluable to me, and no-one knows my soul better ! When I feel that my design is lacking balance or needs a fresh perspective, I turn to her for advice and input. Her willingness to provide brutally honest feedback, delivered with a deep appreciation for the craft, is both refreshing and essential. While I may develop the designs myself, having such a trusted critic / collaborator as my wife greatly enhances the quality and integrity of my work. It's a true blessing to have someone who understands and appreciates the design process, offering valuable perspectives that push me to achieve even greater heights in my creations.
FS: Do you have any works-in-progress being designed that you would like to talk about?
MA: Indeed, I do have an exciting work-in-progress that I'm currently designing. However, at this moment, I feel it would be premature to reveal all the details and let the cat out of the bag, so to speak. I prefer to keep a bit of mystery and anticipation surrounding this project. What I can tell you is that it revolves around a passion that I have nurtured for quite some time. I believe it captures the essence of the present moment and holds immense inspiration within its concept. It's a project that I'm truly enthusiastic about and can't wait to share with you in the near future. I'm carefully refining and perfecting every aspect of this design collection, ensuring that it lives up to my vision and exceeds expectations. Stay tuned, as I will be excitedly unveiling this new range when the time is right. I look forward to sharing more about it soon and hope it will be as inspiring to others as it has been to me throughout the creative process.
FS: How can people contact you?
MA: Certainly! If you would like to get in touch with me, you can reach me via email at mattarquette@me.com Additionally, you can visit my website at https://mattarquette.com to learn more about my work and stay updated on my latest projects. If you prefer to connect professionally, you can find me on LinkedIn at https://www.linkedin.com/in/matt-arquette. Feel free to reach out through any of these channels, and I'll be more than happy to connect and discuss any inquiries, collaborations, or opportunities you may have. I appreciate your interest and look forward to hearing from you!
FS: Any other things you would like to cover that have not been covered in these questions?
MA: As a dedicated and passionate designer, my primary focus is on creating exceptional work that stands out. I firmly believe that design is a dynamic and ever-evolving field, which is why I continuously explore new techniques and approaches to enhance my craft. I thrive on embracing fresh opportunities that allow me to broaden my skill set and challenge my creative boundaries. With each project I undertake, my goal is to produce designs that not only captivate the eye but also serve a practical purpose. I have a strong affinity for learning and experimenting with new visual concepts, constantly seeking avenues for personal and professional growth within the design industry. I would like to express my sincere gratitude to the A'design Design Awards for their unwavering support of the creative community. Their commitment to recognising and celebrating exceptional product design has been instrumental in fostering innovation among designers, both emerging and established. The A'design Design Awards provides a vital platform for showcasing our work and gaining well-deserved recognition. I am immensely grateful for the incredible opportunities and resources they offer. I extend my heartfelt thanks to the A'design Design Awards for their continuous support of the creative community. Through their dedication, they inspire us to push the boundaries, reach new heights, and deliver outstanding design solutions. Thank you for being a driving force behind excellence in design.
FS: Thank you for providing us with this opportunity to interview you.
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