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Interview with Jung-Mei Wou |
Home > Designer Interviews > Jung-Mei Wou |
Editor Frank Scott (FS) from DesignPRWire has interviewed designer Jung-Mei Wou (JW) for A’ Design Award and Competition. You can access the full profile of Jung-Mei Wou by clicking here.
FS: Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer?
JW: Certainly! From a young age, I was immersed in the world of creativity, passionately exploring various artistic mediums. My innate fascination with visual expression and the power of aesthetics propelled me toward the realm of art. I pursued my passion for art by completing my undergraduate and graduate degrees in an art program at the university. During my time there, I immersed myself in various artistic disciplines, including painting, sculpture, and mixed media. What sparked the flame that made me become an artist/designer, you ask? Art became the language through which I could convey the intricacies of my emotions, thoughts, and perceptions. It was a means to connect with others on a profound, soul-stirring level. The path to becoming a designer wasn't always clear-cut. Life, as it often does, unfolded in a series of serendipitous moments and deliberate choices. While my artistic inclinations were evident from an early age, the realization of my passion for design gradually revealed itself. It was an evolution, a natural progression that allowed me to explore the interplay between aesthetics and functionality, expanding the boundaries of my creative pursuits. As for my aspirations as a designer, they were borne out of a desire to merge artistic sensibilities with functional innovation. The design presented a realm where I could bring my artistic vision to life in tangible and purposeful ways. It offered an avenue to shape the world around me, and to create experiences that blend beauty, utility, and meaningful impact.
FS: Can you tell us more about your company / design studio?
JW: With every project, we strive to create experiences that transcend the ordinary. We delve deep into the core of storytelling, crafting narratives that resonate with authenticity and emotional depth. Our creations transcend mere aesthetics, seeking to evoke profound emotions, challenge preconceptions, and ignite meaningful connections with our audience. Whether it's a public installation, a commissioned artwork, or a collaborative venture, our studio pours its heart and soul into every endeavor, striving to leave a lasting impact on the world.
FS: What is "design" for you?
JW: “Design" is an exquisite interplay of aesthetics, functionality, and intentionality. It embodies the harmonious fusion of visual elements, thoughtfully organized to communicate a concept, evoke emotions, or solve a problem. For me, design is a creative journey that involves meticulous exploration, experimentation, and iteration. It is the process of translating abstract ideas into tangible forms, whether it be through traditional mediums like painting and sculpture or contemporary digital platforms. Design is about crafting a unique narrative, telling stories through visual compositions that captivate and inspire. Ultimately, design is a manifestation of the artist's perspective, values, and imagination. It is a means of self-expression and a catalyst for dialogue, inviting viewers to engage, interpret, and derive meaning.
FS: What kinds of works do you like designing most?
JW: As an artist, I find joy and fulfillment in exploring various forms of design. However, there are certain types of works that resonate with me on a deeper level and ignite my passion. Public art installations captivate me as they engaging with the public directly. Their scale and location offer boundless possibilities for artistic expression. Through immersive installations, I can ignite conversations, challenge norms, and evoke emotions within the community.
FS: What is your most favorite design, could you please tell more about it?
JW: It's difficult for me to choose a single favorite design, as each project holds its significance and meaning to me. However, I can certainly share an example of a design that has had a profound impact on me. One of my designs is a large-scale public sculpture “Pride of the City” that I had the opportunity to create for Taichung city park in Taiwan. The inspiration for this sculpture is derived from the ecological park within the urban landscape, highlighting the importance of environmental sustainability and the interconnectedness of ecological diversity. It aims to celebrate the harmonious relationship between the environment and the preservation of nature. The design featured a series of intertwining metal structures, representing the image of four birds flying upward, and it presents multiple images similar to trees, flowers, and birds from different angles to show the cycle of four seasons and the harmonious coexistence of all living things. What made this design particularly special to me was the collaborative process involved. I worked closely with the community members, city officials, and cultural representatives, to gather their insights and perspectives. The fabrication process was another memorable aspect of this project. I worked alongside skilled craftsmen and engineers to bring the design to life. Witnessing the transformation of raw materials into a tangible, three-dimensional sculpture was an incredibly rewarding experience. It was a testament to the power of art and design to create something that not only visually captivates but also has a meaningful impact on its surroundings. Once the sculpture was installed in the park, it became a focal point for the community. This design of mine encapsulates the essence of my artistic approach—creating visually striking works that evoke emotions, inspire dialogue, and bring people together. It serves as a reminder of the transformative power of design and the ability of art to enrich lives and create lasting connections within a community.
FS: What was the first thing you designed for a company?
JW: The first thing I designed for a company was a logo and branding identity. It was an exciting opportunity for me as an artist to collaborate with a local startup and help shape their visual identity.
FS: What is your favorite material / platform / technology?
JW: As a sculptor, my favorite material is undoubtedly metal itself. I am drawn to the rawness, strength, and versatility that metal offers as a medium for artistic expression. Working with metal allows me to create sculptures that embody both grace and solidity, capturing the beauty of the material. My favorite materials are bronze and stainless steel, especially silver, for their inherent qualities and historical significance. I appreciate the balance between traditional craftsmanship and modern technology, as both play an important role in shaping my artistic process. The combination of traditional metalworking techniques and contemporary tools enables me to bring my artistic vision to life and create metal sculptures that resonate with the viewer on a profound level.
FS: When do you feel the most creative?
JW: I find that my creativity is not confined to a specific time or place but rather to the currents of inspiration. However, some moments and conditions tend to ignite my creativity. when I am in nature, when I embrace solitude and introspection, when I engage in collaborative exchanges, and when I approach my work with a sense of playfulness and experimentation. These moments and conditions provide fertile ground for my creativity to flourish, allowing me to channel my artistic vision and bring forth unique and meaningful creations.
FS: Which aspects of a design do you focus more during designing?
JW: During the design process, I focus on the concept and narrative, aesthetic appeal, functionality, details, and emotional impact. These aspects guide my artistic choices and allow me to create designs that are not only visually captivating but also convey a powerful message and engage the viewer on a deeper level.
FS: What kind of emotions do you feel when you design?
JW: The process of designing evokes a range of emotions, including excitement, contemplation, frustration, satisfaction, and a bittersweet sense of completion. These emotions intertwine and shape the creative journey, infusing my artwork with depth, meaning, and a personal connection that resonates with both myself and the viewers.
FS: What kind of emotions do you feel when your designs are realized?
JW: One of the most prominent emotions I feel is a sense of fulfillment and satisfaction. Witnessing my designs come to life in tangible form, crafted meticulously with my hands, evokes a deep sense of accomplishment. There is a gratifying joy in seeing the transformation from concept to reality, knowing that I have brought forth a creation that originated in my imagination. This sense of fulfillment validates the countless hours of dedication and effort invested in the artistic process.
FS: What makes a design successful?
JW: A successful design is one that effectively communicates its intended message or purpose while evoking a strong emotional response from its audience. It is a harmonious integration of form, function, and aesthetic appeal. A successful design captures attention, engages the viewer, and leaves a lasting impression.
FS: When judging a design as good or bad, which aspects do you consider first?
JW: When judging a design as good or bad, I consider the overall concept, composition and balance, craftsmanship, emotional impact, originality, and the fulfillment of its intended purpose or context. These aspects collectively contribute to the evaluation of a design's quality and its effectiveness in engaging and resonating with the audience.
FS: From your point of view, what are the responsibilities of a designer for society and environment?
JW: The responsibilities of a designer for society and the environment include creating designs that enhance well-being, considering social equity, adopting sustainable practices, promoting ethical and responsible behavior, and fostering creativity and cultural appreciation. By fulfilling these responsibilities, designers can make a positive impact on both society and the environment.
FS: How do you think the "design field" is evolving? What is the future of design?
JW: The design field is continuously evolving and adapting to the changing needs and advancements of society. The future of design holds exciting possibilities and transformative shifts that will shape the way we live, interact, and experience the world.
FS: When was your last exhibition and where was it? And when do you want to hold your next exhibition?
JW: I had an exhibition at the Taipei World Trade Center Art Fair in 2016, which provided me with the opportunity to showcase multiple pieces of artwork, including large-scale sculptures, metalwork, silver carving, and photography. Last year, I participated in the A'design Awards exhibition in China with an award-winning prototype of a public art sculpture. Currently, I am indeed planning for a solo exhibition, hoping to have the chance next year to present a culmination of my creative reflections from these past few years.
FS: Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations?
JW: Inspiration for my works can come from a multitude of sources. I believe that creativity is a dynamic process fueled by curiosity, exploration, and openness to the world around us. By cultivating an inquisitive mindset, staying open to new experiences, and finding beauty in the world around me, especially from Nature. I continuously feed my creativity and find inspiration for my work.
FS: How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design?
JW: My design style can be described as a blend of semi-representational and abstract elements, infused with a philosophical mindset. This style has evolved through my deep exploration of the interplay between form and concept, allowing me to delve into the realms of abstraction while retaining a hint of recognizable elements. The exploration of this style was born out of a desire to convey complex ideas and emotions that transcend the limitations of literal representation. By embracing abstraction, I am able to tap into the universal and transcendental aspects of human existence. This approach allows me to communicate on a more profound and intuitive level, inviting viewers to engage in a dialogue between their own experiences and the essence of my creations.
FS: Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country?
JW: I currently reside in Taiwan, a country deeply influenced by Chinese culture. The rich and diverse cultural traditions of Taiwan, rooted in Chinese heritage, provide me with a vast source of inspiration. From ancient philosophies, such as Confucianism and Taoism, to traditional arts and crafts, such as calligraphy, porcelain, and temple architecture, these influences infuse my designs with a sense of history, symbolism, and aesthetics. The pros of living in Taiwan as an artist are the abundance of cultural resources and the opportunity to immerse myself in a vibrant arts scene. Taiwan's cultural heritage, along with its contemporary art scene, fosters an environment that encourages artistic exploration, innovation, and dialogue. I have access to museums, galleries, art communities, and events that enable me to connect with fellow artists, showcase my work, and engage with a diverse audience.
FS: How do you work with companies?
JW: Working with companies involves a collaborative process where I bring my artistic expertise and creative vision to contribute to their projects or initiatives. The nature of collaboration can vary depending on the specific context and goals of the company.
FS: What are your suggestions to companies for working with a designer? How can companies select a good designer?
JW: The key to the successful collaboration with a designer is establishing clear communication channels. When the designer presents initial drafts or concepts, providing clear and specific feedback is crucial. Maintain flexibility and be willing to work cooperatively with the designer to ensure the final design meets your needs. A good designer should possess a strong design background and skill set, be open to collaboration and find someone who understands your vision and can bring it to life through their artistic expertise.
FS: Can you talk a little about your design process?
JW: Certainly! My design process revolves around thorough research, creative exploration, iteration, collaboration, and attention to detail. It is a fluid and iterative approach that allows me to create designs that effectively convey the desired message and resonate with the intended audience.
FS: What are 5 of your favorite design items at home?
JW: An abstract painting I created, which embodies my emotions and thoughts through vibrant colors and expressive brushstrokes. A metal sculpture I crafted, showcasing my passion for manipulating and shaping metal into intricate forms that convey a sense of strength and elegance. The iconic Egg Chair was designed by Arne Jacobsen, with its timeless and sculptural appeal, providing both comfort and aesthetic pleasure. A table lamp designed by Paul Henningsen, known for its innovative lighting concept and beautifully diffused glow, adding a warm and inviting ambiance to my space. A series of handcrafted silver jewelry pieces that I meticulously created, reflecting my dedication to craftsmanship and my personal aesthetic, each piece telling a unique story and adorning the wearer with elegance and individuality.
FS: Can you describe a day in your life?
JW: My day revolves around the dual roles of creating and teaching. I spend a lots of time in my studio, ready to embark on a creative journey. When teaching, I share my artistic knowledge and skills with my students. In this way, my days as an artist are a harmonious blend of personal creation and the sharing of knowledge.
FS: Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers?
JW: Stay curious and continuously seek knowledge. Don't be afraid to push boundaries and explore new ideas. Passion and perseverance will fuel your progress. Stay true to yourself and never stop. Embrace your individuality, trust your instincts, and let your creativity flourish.
FS: From your perspective, what would you say are some positives and negatives of being a designer?
JW: Design allows for limitless creative expression, enabling designers to bring their unique visions to life through various mediums. Designers can use their skills to make a positive impact on individuals and society. Design projects often come with tight deadlines and high expectations. The positives often outweigh the negatives for those passionate about design and its potential to make a difference.
FS: What is your "golden rule" in design?
JW: Design should evoke emotions, resonate with the audience, and create a lasting impact. By prioritizing the emotional aspect, I believe that design becomes more powerful and meaningful. It combines aesthetics and becomes a vessel for storytelling, self-expression, and human connection.
FS: What skills are most important for a designer?
JW: The ability to think outside the box, generate unique ideas, and approach problems from fresh angles is essential for a designer. Creativity and imagination fuel innovation and enables designers to bring originality to their work.
FS: Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.?
JW: I always carry a sketchbook to jot down ideas, sketch rough concepts, and experiment with different compositions. Sketching allows me to quickly capture thoughts and visually explore various design possibilities. I also use traditional art mediums in my process. These tactile materials allow for a hands-on approach and bring a unique texture and depth to my creations. I utilize design software such as Adobe Creative Suite (Photoshop, Illustrator, InDesign) to create digital artwork, manipulate images, and design graphics. Books and reference materials are also indispensable.
FS: Designing can sometimes be a really time consuming task, how do you manage your time?
JW: To be honest, sometimes I spend too much time thinking about how to make changes to achieve perfection during the creative process. I'm still learning how to manage time better!
FS: How long does it take to design an object from beginning to end?
JW: The time it takes to design an object from beginning to end can vary greatly depending on several factors. The complexity of the project, the scope of the design, and the level of detail required all influence the timeline. Simple designs with fewer elements may take a shorter time, perhaps a few hours or days, while more intricate and involved designs can take weeks or even months to complete.
FS: What is the most frequently asked question to you, as a designer?
JW: As an artist and designer, the most frequently asked question I receive is, "What was your inspiration for this design?" People are often curious about the underlying motivations and sources of creativity behind my artwork. They want to understand the thought process, ideas, and influences that contributed to the final design. Exploring inspiration allows me to share the stories, emotions, and concepts that shaped my work, deepening the connection between the audience and the design itself. It provides an opportunity to discuss the symbolism, personal experiences, or broader cultural references that inspired and infused meaning into the design.
FS: What was your most important job experience?
JW: Every job experience holds significance in its own way, but one that stands out as particularly important for me was working on a collaborative public art project. It allowed me to engage with a diverse team of architects, and community members, coming together to transform a public space. It reinforced my belief in the power of art as a catalyst for social transformation and further fueled my passion for creating meaningful and accessible art experiences for all.
FS: Who are some of your clients?
JW: My clients vary and include individuals, art collectors, and sometimes even corporate organizations seeking commissioned artwork. Additionally, I have worked with interior designers and architects to create custom art pieces for residential and commercial spaces. Each client brings a new and exciting opportunity to create unique pieces that resonate with their specific needs and visions.
FS: What type of design work do you enjoy the most and why?
JW: I find the most enjoyment in creating art installations and public art. This type of design work allows me to explore and convey emotions, concepts, and narratives through visual language. The freedom to experiment with forms, colors, and textures, and to challenge traditional boundaries, ignites my creativity and fuels my passion. Public art invites viewers to interpret and engage with the artwork on a personal and emotional level, fostering a deeper connection and sparking dialogue.
FS: What are your future plans? What is next for you?
JW: I aim to expand my artistic horizons by experimenting with new mediums, techniques, and concepts. I plan to participate in more exhibitions, both locally and internationally, to share my artwork with a broader audience.
FS: Do you work as a team, or do you develop your designs yourself?
JW: As an artist, I primarily develop my designs independently. I value the creative freedom and personal expression that comes with working solo. However, I also have experience working with other professionals, am open to collaborations, and enjoy the opportunity to work with others on specific projects.
FS: Do you have any works-in-progress being designed that you would like to talk about?
JW: Currently, I am exploring a series of mixed-media paintings and sculptures inspired by nature creatures. I'm experimenting with different techniques and materials to capture the organic beauty of flora and fauna. Through these works, I aim to evoke a sense of awe and connection with the natural world.
FS: How can people contact you?
JW: Please contact me by email
FS: Any other things you would like to cover that have not been covered in these questions?
JW: Though life may not be dependent on Art, it finds its true radiance in its presence！
FS: Thank you for providing us with this opportunity to interview you.
A’ Design Award and Competitions grants rights to press members and bloggers to use parts of this interview. This interview is provided as it is; DesignPRWire and A' Design Award and Competitions cannot be held responsible for the answers given by participating designers.
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