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Editor Frank Scott (FS) from DesignPRWire has interviewed designer Katsuya Arai (KA) for A’ Design Award and Competition. You can access the full profile of Katsuya Arai by clicking here. |
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Interview with Katsuya Arai at Tuesday 18th of November 2014 FS: Could you please tell us more about your art and design background? What made you become an artist/designer? Have you always wanted to be a designer? KA: Since a young age I have loved painting and creating three-dimensional shapes, so I started going to art school early on. FS: Can you tell us more about your company / design studio? KA: Vateau is a team of about ten members who have expertise in graphic design. The members came from a company called DBS. FS: What is "design" for you? KA: For me, design means to communicate language through a visual medium. FS: What kinds of works do you like designing most? KA: I like designs that are conceptual and have a feeling of narrative. In terms of visual qualities, I like designs that are elaborate and lively. FS: What is your most favorite design, could you please tell more about it? KA: I like designs that are conceptual and have a feeling of narrative. In terms of visual qualities, I like designs that are elaborate and lively. FS: What was the first thing you designed for a company? KA: The editorial design for the Japanese edition of Harper’s Bazaar. FS: What is your favorite material / platform / technology? KA: Paper (rough.) FS: When do you feel the most creative? KA: When I get a feeling of typography. FS: Which aspects of a design do you focus more during designing? KA: I focus on making sure the design has a strong narrative. The concept should be central throughout the design process. FS: What kind of emotions do you feel when you design? KA: I find designing really fun! FS: What kind of emotions do you feel when your designs are realized? KA: I develop a fondness for it as if it is my child. FS: What makes a design successful? KA: It has to have a strong narrative. The concept must be central throughout the design process. Designers must also place themselves in the position of the end user. FS: When judging a design as good or bad, which aspects do you consider first? KA: Does it have a strong narrative? Are there any elements that detract from the concept? Has the designer placed themselves in the position of the end user? FS: From your point of view, what are the responsibilities of a designer for society and environment? KA: To enhance functionality. To direct tone and manner. FS: How do you think the "design field" is evolving? What is the future of design? KA: I think in all types of media there will be more weight placed on social designs that target complex problems faced by society. FS: When was your last exhibition and where was it? And when do you want to hold your next exhibition? KA: I am planning an exhibition in 2015. FS: Where does the design inspiration for your works come from? How do you feed your creativity? What are your sources of inspirations? KA: I get inspiration when I go to art galleries and bookshops, but inspiration also comes to from things like every day scenery. FS: How would you describe your design style? What made you explore more this style and what are the main characteristics of your style? What's your approach to design? KA: For both methods and expression, I try to maintain a good balance between analogue and digital. FS: Where do you live? Do you feel the cultural heritage of your country affects your designs? What are the pros and cons during designing as a result of living in your country? KA: I frequently visit places such Kyoto where you can feel the history of Japan – and yes these historical sites do influence my work. FS: How do you work with companies? KA: Basically it’s a give-and-take relationship. I respect the company for providing me a place where I can develop my potential further. FS: What are your suggestions to companies for working with a designer? How can companies select a good designer? KA: A relationship of mutual respect. FS: Can you talk a little about your design process? KA: First of all, make sure you have grasped the essence of the matter and ensure that there is a strong narrative. Then establish the concept and ensure it remains the central part throughout the process. FS: What are 5 of your favorite design items at home? KA: Books, pens, chairs, lights, and cushions (textile) FS: Can you describe a day in your life? KA: Wake up, play with the kids, leave for work, do work, return home, free time/ communicate with family, sleep. FS: Could you please share some pearls of wisdom for young designers? What are your suggestions to young, up and coming designers? KA: Start by imitating, and then gradually establish your own identity. FS: From your perspective, what would you say are some positives and negatives of being a designer? KA: On the positive side, the design field is getting larger and there are limitless possibilities for making a social contribution. As for the negative side, design work is often misunderstood as simply papering over the cracks. FS: What is your "golden rule" in design? KA: The conflict between subjectivity and objectivity. Currently, I aim for a ratio of 3:7, which makes me arty enough without becoming too egotistical. FS: What skills are most important for a designer? KA: Power of discernment for capturing the essence of the matter and the skill to convey it fully. FS: Which tools do you use during design? What is inside your toolbox? Such as software, application, hardware, books, sources of inspiration etc.? KA: Mac illustrator. FS: Designing can sometimes be a really time consuming task, how do you manage your time? KA: I carry out the tasks I need to do for the day in 30 minute timeslots. Also, I generally plan ahead. FS: How long does it take to design an object from beginning to end? KA: It depends on the job, but the chain of processes from orientation to printing can last from one day to one year. FS: What is the most frequently asked question to you, as a designer? KA: What I think about input and output. FS: What was your most important job experience? KA: Branding. Achieving a strong narrative – the thing I place most importance on. Sticking to the concept throughout. Putting myself in the position of the end user. Achieving a design that covers all these points. FS: Who are some of your clients? KA: The catalog for the movie Hagetaka. It all comes down to the techniques, but I learnt so many things about lettering. FS: What type of design work do you enjoy the most and why? KA: Branding. Having a strong narrative – the thing I place most importance on. Sticking to the concept throughout. Putting myself in the position of the end user. Achieving a design that achieve all these things. FS: What are your future plans? What is next for you? KA: I hope to be an art director who will ascertain the state of branding ten years in the future and twenty years in the future and provide something better. FS: Do you work as a team, or do you develop your designs yourself? KA: Working in a team. It is exciting to see all the team members’ particular talents being utilized. FS: Do you have any works-in-progress being designed that you would like to talk about? KA: A CD jacket design. Sometimes it’s exciting to listen to do the music and let it inspire your artwork. FS: How can people contact you? KA: info@vateau.com
A’ Design Award and Competitions grants rights to press members and bloggers to use parts of this interview. This interview is provided as it is; DesignPRWire and A' Design Award and Competitions cannot be held responsible for the answers given by participating designers. Press Members: Register and login to request a custom interview with Katsuya Arai. |
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Good design deserves great recognition. |
A' Design Award & Competition. |