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Editor Frank Scott (FS) from DesignPRWire has interviewed designer Masaru Eguchi (ME) for A' Design Awards and Competition. You can access the full profile of Masaru Eguchi by clicking here. Access more information about the award winning design The Japanese Forest here. |
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Interview with Masaru Eguchi at Friday 1st of May 2020 FS: What is the main principle, idea and inspiration behind your design? ME: The first thing is the impulse to make something I've never seen before. Because even if there are similar looking and thinking pieces, they're never exactly the same. When I come up with something I've never seen before, I want to make it, and I do. Simple, right? FS: What has been your main focus in designing this work? Especially what did you want to achieve? ME: What I wanted to express in this work is a natural landscape of the distant past, but also of the distant future. I wanted to share a view that people in the past and the future might have seen. FS: What are your future plans for this award winning design? ME: I don't have any plans. I've wanted to exhibit somewhere and make a collection of my work, but I don't want to do it unless I have an investor. I don't have much money. FS: How long did it take you to design this particular concept? ME: I'm sure it didn't take that long. In this case, however, it was different than usual, as I was looking at the first few pictures that were finished, I think I had a concept and started making them right. FS: Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration? ME: This work was made just from my own inspiration. FS: Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself? ME: This work is mine. FS: What made you design this particular type of work? ME: Because the works out there didn't satisfy me. That's what all of the work I create, whether commissioned or not, has in common. FS: Where there any other designs and/or designers that helped the influence the design of your work? ME: Those people are already dead. It's the greats of history that inspire me. Oh, and I am also influenced by natural and social environment. FS: Who is the target customer for his design? ME: People around the world. Including those who are about to be born. FS: What sets this design apart from other similar or resembling concepts? ME: It's a mix of primitive religious views, Japanese cultural values and the latest technology. FS: How did you come up with the name for this design? What does it mean? ME: That's because I was filming in Japan. If I had filmed in other countries, the name might have changed. In that case, I would have given it a more abstract name, but it wouldn't have come across. FS: Which design tools did you use when you were working on this project? ME: Digital camera, Adobe CC, and PC. FS: What is the most unique aspect of your design? ME: That's the essence of it. There's a lot of superficial work in the world, but I like the essential work. FS: Who did you collaborate with for this design? Did you work with people with technical / specialized skills? ME: No. I created it on my own. FS: What is the role of technology in this particular design? ME: It's hard to say. This one is also technically normal at the moment. FS: Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design? ME: Fortunately, I had read the classics and researched world religions when I was younger, so I was able to use that knowledge to my advantage. So for this one, the only new research I did was technical. FS: What are some of the challenges you faced during the design/realization of your concept? ME: I can't help it, but when I photograph the universal nature, the pictures look alike. So the challenge is that the number of works is few. FS: How did you decide to submit your design to an international design competition? ME: I was contacted. FS: What did you learn or how did you improve yourself during the designing of this work? ME: Observe, think, do, and improve repeatedly. This is something I do all the time. I'm more able to create strong work than I was before this one. That will continue to improve. FS: Any other things you would like to cover that have not been covered in these questions? ME: Thank you very much. I'm very pleased.
A' Design Award and Competitions grants rights to press members and bloggers to use parts of this interview. This interview is provided as it is; DesignPRWire and A' Design Award and Competitions cannot be held responsible for the answers given by participating designers. |
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Good design deserves great recognition. |
A' Design Award & Competition. |