|
|
|||||||||||||||||
|
||||||||||||||||||
Editor Frank Scott (FS) from DesignPRWire has interviewed designer Brooke M Davis (BD) for A' Design Awards and Competition. You can access the full profile of Brooke M Davis by clicking here. Access more information about the award winning design Pilo here. |
||||||||||||||||||
Interview with Brooke M Davis at Wednesday 12th of September 2018 FS: What is the main principle, idea and inspiration behind your design? BD: I love pushing my design process. I had seen a few designs that tried to mimic tufted fabric in wood. These designs were hard and uniform. I wanted to achieve a soft look that people would be drawn to feel. I feel the Swavorski Crystals gave an added touch of elegance and glamour to the design. FS: What has been your main focus in designing this work? Especially what did you want to achieve? BD: I wanted to achieve a an elegant piece that exudes a soft look that people would be drawn to feel. A lot of my work focuses on the tactile sensation; a theme of replacing traditional function with that of touch FS: What are your future plans for this award winning design? BD: I plan to show this globablly and put them into production. I am hoping that I can work with larger brands in a collaborative way FS: How long did it take you to design this particular concept? BD: I worked on this for two years, the process took longer than anticipated as I was also teaching and running a business during this time. FS: Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration? BD: In 2016, my father passed away from Lung Cancer and I had to have 2 surgeries to remove cervical cancer. This project was a way for me to heal. I needed a god challenge to sink myself into. The tables are design for me as the client, but after finishing them I feel they deserve to be shared with others FS: Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself? BD: I am open to licensing the design but I also have a production shop that can create small batch runs of these FS: What made you design this particular type of work? BD: Since college I have been fascinated with using the CNC tool as an extension of my creativity. With each design I have been exploring new surface challenges FS: Where there any other designs and/or designers that helped the influence the design of your work? BD: I am a big fan of Vladimir Kagan. He is a wonderful man who has a creative style that I admire. FS: Who is the target customer for his design? BD: People who appreciate unique design in the high end luxury market FS: What sets this design apart from other similar or resembling concepts? BD: My concept is incredibly soft like worn leather due to the design. It also has a complex joinery of where the surfaces intersect each other as they wrap around your basic box shape FS: How did you come up with the name for this design? What does it mean? BD: I tried to find something unique that resonated with feeling or touching FS: Which design tools did you use when you were working on this project? BD: Rhino CAD Modeling and CNC Fabrication FS: What is the most unique aspect of your design? BD: Its a tie between the softness of the design and how the surfaces connects at the corners. FS: Who did you collaborate with for this design? Did you work with people with technical / specialized skills? BD: For the most part, I only asked questions on how to best execute specific wood working joinery in the design. FS: What is the role of technology in this particular design? BD: I use Rhino CAD Modeling and CNC fabrication to create these tables. My goal is to use technology to replicate aspects of the design that look like they are created in a more artisan hands on application. FS: Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design? BD: No. I looked briefly at pictures on line and tufted fabric in stores. FS: What are some of the challenges you faced during the design/realization of your concept? BD: Some of the traditional wood working challenges like doing spline miter joints were new to me. I had to create jigs and very precise table saw sleds to execute this joinery. FS: How did you decide to submit your design to an international design competition? BD: I wanted to gain more exposure for my work FS: What did you learn or how did you improve yourself during the designing of this work? BD: I gain the knowledge of this process and now can apply it to future designs FS: Any other things you would like to cover that have not been covered in these questions? BD: No
A' Design Award and Competitions grants rights to press members and bloggers to use parts of this interview. This interview is provided as it is; DesignPRWire and A' Design Award and Competitions cannot be held responsible for the answers given by participating designers. |
||||||||||||||||||
|
||||||||||||||||||
|
||||||||||||||||||
Good design deserves great recognition. |
A' Design Award & Competition. |