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Marvel Interior Design Office by Eda Yukseker |
Home > Winners > Design #46648 >Interview |
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FS: What is the main principle, idea and inspiration behind your design?
EY: The design concept was inspired from the universe with an approach of everything but time and space. A very brave design has been implemented where it is to reflect our ambition and it has already paid off. No doors, no titles, no hierarchy. This approach focusing on pure communication, brought us the out of box ideas those emphasizes the company is performance and dynamism. Then the output is stylish, modern but simple and clear design.
FS: What has been your main focus in designing this work? Especially what did you want to achieve?
EY: No doors, no titles, no hierarchy. This approach focusing on pure communication, brought us the out of box ideas those emphasizes the company is performance and dynamism.
FS: What are your future plans for this award winning design?
EY: function-oriented, outside the mold, to respond to users' needs, and we want to do office work space
FS: How long did it take you to design this particular concept?
EY: one and a half months
FS: Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?
EY: This concept contains transparency, creating a feeling of freedom
FS: Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?
EY: We can think about selling to other users
FS: What made you design this particular type of work?
EY: meaning that the workplace can be used in partition walls
FS: Where there any other designs and/or designers that helped the influence the design of your work?
EY: rationalist architecture flow, Ludwig Mies van der Rohe
FS: Who is the target customer for his design?
EY: open-minded, young and dynamic customers
FS: What sets this design apart from other similar or resembling concepts?
EY: objects that have meaning for us to show we could use with different size and purpose
FS: How did you come up with the name for this design? What does it mean?
EY: because we imagine that what we aim to make a reality
FS: Which design tools did you use when you were working on this project?
EY: sketches, moodboards, CAD and 3ds max
FS: What is the most unique aspect of your design?
EY: interior used to have the biggest office clock
FS: Who did you collaborate with for this design? Did you work with people with technical / specialized skills?
EY: Metalworking craftsman, and furniture and iron masters, clock mechanical firm
FS: What is the role of technology in this particular design?
EY: quite large clock is running and when exactly show
FS: Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?
EY: We do research related to the construction of the iron clock
FS: What are some of the challenges you faced during the design/realization of your concept?
EY: during manufacturing and in the production phase, we spend time together with the masters
FS: How did you decide to submit your design to an international design competition?
EY: We thought it was our original design, this design, for those who think about time
FS: What did you learn or how did you improve yourself during the designing of this work?
EY: Design your dream to reality, you have to show some effort
FS: Any other things you would like to cover that have not been covered in these questions?
EY: no thank you
FS: Thank you for providing us with this opportunity to interview you.
A' Design Award and Competitions grants rights to press members and bloggers to use parts of this interview. This interview is provided as it is; DesignPRWire and A' Design Award and Competitions cannot be held responsible for the answers given by participating designers.
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