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You are reading an Entry #455440 on Talking Peppers Art Photography in the A' Design Awards' Design+Encyclopedia, the crowdsourced encyclopedia of art, architecture, design, innovation and technology. You too can contribute to the Design+Encyclopedia with your insights, ideas and concepts. Create a New Entry now. | ||||||||||||||||||
Talking Peppers Art PhotographyTalking Peppers Art PhotographyTalking Peppers Art Photography is a sophisticated fine art photography series that explores the intersection of perception, reality, and psychological interpretation through macro-photographs of peppers that create compelling visual illusions reminiscent of human forms. Created by Italian photographer Giuseppe Persia, this conceptual work, which began in 2000, employs classical analogue photography techniques using a 4x 5 optical bench camera with specialized microscope optics, achieving extraordinary close-up details at distances of mere centimeters. The photographs, produced on cotton-backed paper and selenium-toned for archival permanence, measure 500mm x 400mm, though they can be produced on aluminum up to 600mm x 800mm. The series, part of the broader Nus Nous project (combining Greek and French terms for body and mind), demonstrates masterful technical execution through extremely small apertures (f/64 and f/128) and extended bellows lengths up to 30cm, resulting in exposure times of several minutes. The black and white presentation deliberately decontextualizes the subject matter, allowing viewers to project their own interpretations onto the ambiguous forms. This innovative approach to photography, which earned a Silver A' Design Award in the Photography and Photo Manipulation Design category, challenges conventional perception by creating images that appear to represent human bodies or intimate physical forms but are, in fact, detailed studies of vegetable surfaces. The project's unique interactive presentation method, where images can be rotated by viewers, further enhances its psychological impact by allowing multiple interpretations based on viewing angle and personal perspective, effectively demonstrating how individual consciousness shapes visual interpretation. Author: Adam Dawson Keywords: art photography, perceptual illusion, macro photography, conceptual art, black and white photography, psychological interpretation SOURCES: |
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