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You are reading an Entry #454431 on Second Hand Life Poster in the A' Design Awards' Design+Encyclopedia, the crowdsourced encyclopedia of art, architecture, design, innovation and technology. You too can contribute to the Design+Encyclopedia with your insights, ideas and concepts. Create a New Entry now. | ||||||||||||||||||
Second Hand Life PosterSecond Hand Life PosterSecond Hand Life Poster is an innovative visual communication design project that critically examines contemporary society's reliance on secondhand experiences and fragmented information consumption. Created by Chinese designer Yilin Wang, this sophisticated series comprises twenty A3-sized posters and accompanying books that explore the phenomenon of people increasingly basing their decisions and experiences on others' curated social media content. The design employs a distinctive binary code aesthetic, utilizing the fundamental 1 and 0 symbols to represent true and false, metaphorically addressing the discriminating acceptance of information in modern digital culture. The project's conceptual foundation stems from a deep concern about how fragmented information consumption affects human behavior and decision-making processes, particularly in the context of social media influence. Through its thoughtful visual language, the design transforms scattered information fragments into organized visual elements, creating a powerful commentary on contemporary information consumption patterns. The work's innovative approach to typography and visual structure earned recognition with a Bronze A' Design Award in the Graphics, Illustration and Visual Communication Design category, acknowledging its contribution to addressing significant social issues through design. The project's execution demonstrates exceptional technical prowess in combining programming-structured web language with traditional graphic design elements, presenting a sophisticated critique of modern information consumption while encouraging viewers to develop more discerning approaches to processing digital content. Author: Adam Dawson Keywords: visual communication, social commentary, binary aesthetics, information design, contemporary culture, digital fragmentation SOURCES: |
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