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You are reading an Entry #453931 on Monk Latin And Arabic Geometric Typeface Design in the A' Design Awards' Design+Encyclopedia, the crowdsourced encyclopedia of art, architecture, design, innovation and technology. You too can contribute to the Design+Encyclopedia with your insights, ideas and concepts. Create a New Entry now. | ||||||||||||||||||
Monk Latin And Arabic Geometric Typeface DesignMonk Latin And Arabic Geometric Typeface DesignMonk Latin and Arabic Geometric Typeface Design is a sophisticated dual-script typeface system that harmoniously integrates Latin and Arabic writing systems through shared geometric principles and design rationale. Developed between 2017 and 2018 in Perugia, Italy, this innovative typeface draws inspiration from Benedictine and Franciscan writing traditions while embracing modern geometric sensibilities. The design achieves a delicate balance between the openness and legibility characteristic of humanist sans serifs and the regularized character of square sans serif typography. Its distinctive features include wide stance letterforms, large open counters, and clearly defined directional ductus, all contributing to enhanced legibility across both scripts. The typeface's unique approach lies in its parallel design process, where both Latin and Arabic characters share fundamental geometric properties, including counter spaces, stem thickness, and curved forms, resulting in a seamlessly integrated bilingual typography system. This harmonious coexistence of two distinct writing traditions represents a significant achievement in cross-cultural typographic design, recognized by its Silver A' Design Award in the Graphics, Illustration and Visual Communication Design category. The typeface demonstrates exceptional technical execution through its True Type and Open Source font format, making it accessible for various applications while maintaining its sophisticated aesthetic qualities. The design process involved extensive research into historical manuscripts from the Umbria region of central Italy, transforming traditional calligraphic elements into contemporary geometric forms that serve modern communication needs while preserving cultural authenticity. Author: Adam Dawson Keywords: geometric typography, bilingual typeface design, Arabic-Latin integration, religious manuscript inspiration, contemporary sans serif, cross-cultural typography SOURCES: |
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