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You are reading an Entry #453798 on Children Picture Books From China Exhibition Visuals in the A' Design Awards' Design+Encyclopedia, the crowdsourced encyclopedia of art, architecture, design, innovation and technology. You too can contribute to the Design+Encyclopedia with your insights, ideas and concepts. Create a New Entry now. | ||||||||||||||||||
Children Picture Books From China Exhibition VisualsChildren Picture Books From China Exhibition VisualsChildren Picture Books from China Exhibition Visuals is an innovative exhibition design project that masterfully integrates traditional Chinese ink painting elements with contemporary visual communication principles to showcase children's literature at an international level. The design approach uniquely transforms classical ink paintings into a modern exhibition aesthetic by extracting and reimagining ink dot elements, enhancing their saturation while maintaining the authentic oriental artistic essence. This comprehensive visual system, which earned a Bronze A' Design Award in Graphics, Illustration and Visual Communication Design category, demonstrates exceptional cultural synthesis through its thoughtful adaptation of traditional artistic elements for contemporary exhibition spaces. The project's distinctive visual language encompasses various applications, from two-dimensional graphics to three-dimensional spatial designs, featuring carefully selected ivory white backgrounds that emphasize the gentle oriental charm while highlighting the intricate details of the ink-based artwork. The design solution effectively addresses the challenge of creating visually striking exhibition materials by strengthening red and yellow color saturations while preserving the elegant qualities of traditional Chinese ink paintings. The project's execution involved meticulous attention to production details, including specialized printing techniques and paper selection to accurately reproduce the ink absorption characteristics essential to Chinese painting aesthetics. The design's versatility is evident in its flexible application across various scales and formats, while traditional elements such as red rope binding in notebooks pay homage to Chinese cultural heritage. The exhibition design required careful space planning and coordination with international exhibition builders to achieve optimal visual impact and visitor flow, resulting in a harmonious presentation that successfully bridges Eastern artistic traditions with contemporary international exhibition standards. Author: Adam Dawson Keywords: exhibition design, Chinese ink painting, children's literature, visual communication, cultural heritage, oriental aesthetics SOURCES: |
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