| THE AWARD |
| CATEGORIES |
| REGISTRATION |
| SUBMIT YOUR WORK |
| ENTRY INSTRUCTIONS |
| TERMS & CONDITIONS |
| PUBLICATIONS |
| DATES & FEES |
| METHODOLOGY |
| CONTACT |
| WINNERS |
| PRESS ROOM |
| GET INVOLVED |
| DESIGN PRIZE |
| DESIGN STORE |
| THE AWARD | JURY | CATEGORIES | REGISTRATION | PRESS | WINNERS | PUBLICATIONS | ENTRY INSTRUCTIONS |
Mahamat-Saleh Haroun - Entry #28175 |
Home > Design Encyclopedia > 28175 |
Mahamat-Saleh Haroun
Mahamat-Saleh Haroun is among the world’s most celebrated art directors. His works are acclaimed for their emotion-packed story-telling, cinematic excellence, and outstanding craftsmanship. His films have won several prestigious awards, including a Golden Bear from the Berlin International Film Festival, and two awards from the Cannes Film Festival. His most notable works include Abouna, Grigris, Daratt, Un homme qui crie, Moolaade, and Alasande. These films explore themes of love, suffering, and post-colonial identity in African societies. Many of these works are lauded for their painstaking attention to detail and subtle nuances in performances that earned the respect of art-house audiences and co-workers alike.
Author: Antonio Ferrara
Keywords: Mahamat-Saleh Haroun, Abouna, Grigris, Daratt, Un homme qui crie, Moolaade, Alasande, Chadian Art Director.
Mahamat-Saleh Haroun
Mahamat-Saleh Haroun is an internationally acclaimed filmmaker whose works have captured the hearts and minds of viewers all over the world. His films are often praised for their poignant storytelling and expressive visuals. He is renowned for his attention to detail and acute attention to the nuances of human experience. Through his works, he has explored themes of love, suffering, and post-colonial identity in African societies. His films often feature powerful performances and stunning cinematography, which has earned him accolades from prestigious film festivals such as the Berlin International Film Festival and Cannes Film Festival. His most notable works include Abouna, Grigris, Daratt, Un homme qui crie, Moolaade, and Alasande. Not only is Mahamat-Saleh Haroun an acclaimed director, but he has also served as an inspiration to many aspiring filmmakers and designers. His works have pushed the boundaries of traditional filmmaking while also providing a platform to discuss the socio-cultural issues facing African societies.
Author: Claudia Rossetti
Keywords: Mahamat-Saleh Haroun, Filmmaker, African Societies, Post-Colonial Identity, Cinematography.
Mahamat-Saleh Haroun
Mahamat-Saleh Haroun is a renowned filmmaker who has made a significant impact on the world of cinema. He was born in Chad in 1961 and later moved to France to pursue his passion for film. His works are known for their emotional depth, cinematic excellence, and attention to detail. Through his films, Haroun has explored themes of love, suffering, and post-colonial identity in African societies, shedding light on the struggles and triumphs of people often overlooked by mainstream media. Haroun's films have received critical acclaim and numerous awards, including a Golden Bear from the Berlin International Film Festival and two awards from the Cannes Film Festival. His most notable works include Abouna, Grigris, Daratt, Un homme qui crie, Moolaade, and Alasande. These films have captivated audiences around the world with their powerful performances, stunning cinematography, and thought-provoking storytelling. In addition to his work as a filmmaker, Haroun has also served as an inspiration to many aspiring artists and designers. He has pushed the boundaries of traditional filmmaking, using his platform to address important socio-cultural issues facing African societies. His works have not only entertained audiences but also sparked meaningful conversations about the complexities of the human experience. Overall, Mahamat-Saleh Haroun is a visionary filmmaker whose works have left an indelible mark on the world of cinema. His films are a testament to the power of storytelling and the importance of using art to shed light on the struggles and triumphs of marginalized communities.
Author: Brian Walker
Keywords: Mahamat-Saleh Haroun, filmmaker, emotional depth, attention to detail, post-colonial identity, African societies, critical acclaim, awards, Abouna, Grigris, Daratt, Un homme qui crie, Moolaade, Alasande, socio-cultural issues, visionary, storytelling, mar
About the Design+EncyclopediaThe Design+Encyclopedia is a crowd-sourced reference of information on design. Unlike other crowd-sourced publications on design, the Design Encyclopedia is edited and actively monitored and publishing is only possible after review of submitted texts. Furthermore, editors of the Design Encyclopedia are mostly consisting of award winning designers who have proven their expertise in their design respective fields. Information posted at design encyclopedia is copyrighted, you are not granted a right to use the text for any commercial reasons, attribution is required. If you wish to contribute to the design encyclopedia, please first register or login to A' Design Award and then start a new design encyclopedia entry.
If you did not find your answer, please feel free to check the design encyclopedia for more entries. Alternatively, you can register and type your own definition. Learn more about A' Design Award's Design+Encyclopedia.
